20 feb. 2016
IVAM Centre Julio González
share
Tour of the exhibition with José Miguel G. Cortés, curator of the exhibition and IVAM’s Director.
This activity is free of charge for Honorary Members and Friends of the IVAM. Also for the general public with a ticket to the Museum.
It is necessary to sign up 15 minutes before the start of the visit at the desk in the Hall of the IVAM. Limited places (first-come, first-served).
26 feb. 2016; 08 apr. 2016; 22 may. 2016; 17 jun. 2016
IVAM Centre Julio González
share
The museum produces
Designed by Javier Moral
This film series presents projections produced IVAM museum. Museums and art centers have plunged roles have boosted production and filmmakers museum projects without losing their identity. Titled “The museum produces”, approaches to new forms of artistic creation.
The museum modes of use
With this generic heading we include a series of actions that reflect on the physical or virtual spaces of the IVAM, from “operating instructions” (Perec dixit) to the explicit modes use the spaces that make up a museum, some of which are not the most recognizable and symbolic. The museum cycle modes of use will be offering visions and interpretations of the importance of place and space, their occupations or concealment within a contemporary museum.
18 feb. 2016
IVAM Centre Julio González
share
This exhibition, the first to be devoted to an analysis of the sociocultural reality of the Mediterranean, questions whether this geographical area exists as a cultural, political or social entity. The show is arranged in two parts, the first of which reflects on the myth, that of the intellectuals from the north of Europe who travelled south in search of the lost Arcadia. Some of them did so to improve their health, others to encounter a much freer vision of the human body as an element of pleasure without the taboos of Protestant countries. The second and more contemporary part of the exhibition reflects on how there has been a transition from that idealised view to one of “fright”, with the Mediterranean as an area of permanent conflict, with problems such as immigration, inequality, racism and impassable frontiers.
Isaac Rosa, Sevilla, 1974. Writer, author of novels such as “El vano ayer” (Rómulo Gallegos Prize 2005) and “El país del miedo” “La mano Invisible”, “La Habitación Oscura” (Chimera Prize for Fiction 2013) , among others, he has worked in various print media, digital and radio.
13 and 20 feb. 2016; 06 mar. 2016
IVAM Centre Julio González
share
Directors: Sonia Martinez and Miguel Angel Baixauli
The fourth edition of “Cine por venir” puts the focus on Who does and to make cinema today ?.
In 2016 we plan two events and time frames: the days (projections of Image and Word sessions), concentrated in a month, and the workshops of Action, which will cause a process of continuous work in time with the reactivation of Public come (process socio-film started in 2015).
Public to come is a line of work that understands cinema from participation, political co-production and the aesthetic work with local, which focuses on the processes in which it sits and which can potentially turn, empowering citizens and invites you to co-produce films and filmmaking in common.
Screenings:
Saturday, February 20: “Arraiano”, of Eloy Enciso.
Dialogue: Eloy Enciso and Álvaro de los Ángeles
Sunday, March 6: “The future” of Luis Lopez Carrasco
Dialogue: Luis López Carrasco y Aúrea Ortíz
12 feb. 2016
IVAM Centre Julio González
share
We continue the series of conversations between artists whose aim is to connect works and projects that are similar in some way –or which present differences- with the intention of laying key concepts on the table, which will allow people to understand the contemporary artistic practice. Our intention is to be able to create a dialogue, to rethink, to imagine or to compare ideas, so that these, and their specification in several art forms, become again a consubstantial element of the debate on culture and contemporary art. Also, so that the artists themselves can present them.
Pepa Lopez Poquet, visual artist and Professor in the Department of Painting [Audiovisual area] of the Polytechnic University of Valencia Artist.
Anja Krakowski, artist and Doctor in Fine Arts from the Polytechnic University of Valencia.
11 feb. 2016
IVAM Centre Julio González
share
This is free of charge for Honorary Members, Friends of IVAM and students of the Universidad Politécnica de Valencia and the Universitat de València. Other applicants will need to sign up and show the admission ticket to the museum, until all the places are taken.
The dissemination of modern and contemporary art is a fundamental premise of the IVAM, which is put into practice by means of exhibitions, activities, artist workshops, seminars, film or video series and different educational lines. These include guided tours of the temporary exhibitions or those of the Collection, school workshops and activities aimed at families. The course “Understanding Art” proposes, for the first time at the IVAM, a series of conferences with an informational nature given by curators of the museum, which goes over, in chronological order, the conceptual aspects and the artistic tendencies of art since the beginning of the 20th century until now. This course is composed of a total of 15 sessions between October 2015 and June 2016.
“Individual mythologies”
Thursday 11 February 7 p.m.
Teacher: Marta Arroyo, Curator of IVAM
NEXT:
Urban cartographies
Thursday 25 February 7 p.m.
Teacher: Mª Jesús Folch
Technology and multiplicity of images
Thursday 10 march 7 p.m.
Teacher: Teresa Millet
The presence of design in everyday life
Thursday 7 April 7 p.m.
Teacher: Álvaro de los Ángeles
Films and their relationship with the visual arts
Thursday 28 April 7 p.m.
Teacher: Mª Jesús Folch
30 jan. 2016
IVAM Centre Julio González
share
Tour carried out by Teresa Millet, coordinator of the exhibition and curator at the IVAM.
This activity is free of charge for Honorary Members and Friends of the IVAM. Also for the general public with a ticket to the Museum.
It is necessary to sign up 15 minutes before the start of the visit at the desk in the Hall of the IVAM. Limited places (first-come, first-served).
29 jan. 2016
IVAM Centre Julio González
share
29 jan. 2016 – 31 jan. 2016
IVAM Centre Julio González
share
Workshop Tecnometrías
The objective of this workshop is to help broaden our vision of the exhibition space in relation to the work but mainly in relation to ourselves as consumers of art. The main tool will be the Tecnometrías action along the course will develop the artist Solimán López in an open public space of the museum.
The action proposes a series of measurements of spatial and conceptual character that will live analyze concepts such as employment-unemployment; empty architecture full-architecture; work-spectator; time-motion; thought-feeling … from which, Aitziber Urtasun made a theoretical analysis of the importance of the void in art from the early twentieth century to contemporary art. The training will always have a critical and reflective character.
Schedule:
Friday from 16:30 h. to 19:30 h.
Saturday from 11:00 h. to 19:30 h.
Sunday from 11:00 h. to 19:30 h.
The museum modes of use
With this generic heading we include a series of actions that reflect on the physical or virtual spaces of the IVAM, from “operating instructions” (Perec dixit) to the explicit modes use the spaces that make up a museum, some of which are not the most recognizable and symbolic. The museum cycle modes of use will be offering visions and interpretations of the importance of place and space, their occupations or concealment within a contemporary museum.
28 jan. 2016
IVAM Centre Julio González
share
This is free of charge for Honorary Members, Friends of IVAM and students of the Universidad Politécnica de Valencia and the Universitat de València. Other applicants will need to sign up and show the admission ticket to the museum, until all the places are taken.
The dissemination of modern and contemporary art is a fundamental premise of the IVAM, which is put into practice by means of exhibitions, activities, artist workshops, seminars, film or video series and different educational lines. These include guided tours of the temporary exhibitions or those of the Collection, school workshops and activities aimed at families. The course “Understanding Art” proposes, for the first time at the IVAM, a series of conferences with an informational nature given by curators of the museum, which goes over, in chronological order, the conceptual aspects and the artistic tendencies of art since the beginning of the 20th century until now. This course is composed of a total of 15 sessions between October 2015 and June 2016.
The use of the body and the voice as elements of art
Thursday 28 January 7 p.m.
Teacher: Josep Salvador
NEXT
Individual mythologies
Thursday 11 February 7 p.m.
Teacher: Marta Arroyo
Urban cartographies
Thursday 25 February 7 p.m.
Teacher: Mª Jesús Folch
Technology and multiplicity of images
Thursday 10 march 7 p.m.
Teacher: Teresa Millet
The presence of design in everyday life
Thursday 7 April 7 p.m.
Teacher: Álvaro de los Ángeles
Films and their relationship with the visual arts
Thursday 28 April 7 p.m.
Teacher: Mª Jesús Folch
16 oct. 2015
IVAM Centre Julio González
share
Daniel F. Hermann is Eisler Curator and Head of Curatorial Studies at Whitechapel Gallery of London
20 nov. 2015
IVAM Centre Julio González
share
Participants in the presentation table:
Roman de la Calle (Professor of Aesthetics)
Antonio Barroso (Artist and designer, responsible for the illustrations)
Jose Luis Ibanez (Editor Punto de Vista Editores)
Justo Serna (Professor of Contemporary History and author of the book)
