This activity is free of charge for Honorary Members and Friends of the IVAM. Also for the general public with a ticket to the Museum.
It is necessary to sign up 15 minutes before the start of the visit at the desk in the Hall of the IVAM. Limited places (first-come, first-served).
Vicente Ponce, is a Doctor of Fine Arts School of San Carlos, UPV and Professor of the Department. Audiovisual Communication, Documentation and History of Art at the UPV.
Converstions continue with artists to relate works and projects which resemble each other, or differences- posed with the intention to put on the table key concepts to help understand contemporary art practice. The intention is to discuss, rethink, imagine or contrasting ideas. For these, and their implementation in various art forms, again become inseparable element of the debate on contemporary art and culture. And so are the artists who expose them, this time with a critique of art.
Angela Garcia, Professor of the Department of Architectural Graphic Expression at the Polytechnic University of Valencia.
Isabel Oliver, Doctor of Fine Arts and Professor of University.
Both participate in the exhibition The Hey Exhibition: The world goes Pop that is currently showing at the Tate Modern in London, as representatives of the Spanish Pop Art 70s.
Isabel Tejeda, PhD from the UPV. She was director of the Center Eusebio Sempere (Alicante) and the VA space and room Veronicas (Murcia). She teaches at the Faculty of Fine Arts UMU. He was co-director of the Master in Management of Historic and Cultural Heritage of the UCM to 2012. Curator.
Tour carried out by Dora García.
This activity is free of charge for Honorary Members and Friends of the IVAM. Also for the general public with a ticket to the Museum.
It is necessary to sign up 15 minutes before the start of the visit at the desk in the Hall of the IVAM. Limited places (first-come, first-served).
Artificial Breathing. Performance. Dark Echo is the triple title of the specific project proposed for the IVAM by Dora García in collaboration with Peio Aguirre. It is the result of a long conversation between Aguirre and García which began in 2009, about the nature of performance and acting, of doubles, multiple personalities, daemons, phantoms and voices and of representation, and about the transmission of knowledge and experience.
Artificial Breathing will be a performance presented in collaboration with students of UPV’s Faculty of Fine Arts. Working from a text created in a workshop on collective experience of drifting in the city of Valencia, they will construct the script of the performance that will take place at the IVAM during the days of the exhibition.
Performance is a collaboration between Dora García and Peio Aguirre, a script in which there are various characters. It can be understood as a permanent experiment and as a play that takes place in real time. It is presented on a table with as many copies as there are characters in the text; periodically, a series of actors activate the text.
And Dark Echo (Eco Oscuro) is a novel by Francisco Baena, written in 2015 and not yet published, which reflects on the possibility of the modification of reality by fiction and which is also a study of various works by Dora García.
Francisco Baena (Madrid, 1967) graduated in Fine Arts from the University of Granada and completed a doctorate in Philosophy and Letters by the Autonomous University of Madrid. He has participated in workshops of contemporary art with Jose Guerrero, Marcelo Exposito Antonio Murado, Marina Núñez and Carmen Navarrete. Wors at José Guerrero Art center of Granada.
FICAE is a short film festival held annually in Valencia. The aim of this festival is to promote through fcinema and art, the social awareness about the diseases as a process of life and counteract the stigma that many diseases still are supporting.
FICAE is an initiative of the Polytechnic University of Valencia and the Chatedra Art and Diseases.
Program:
Wednesday, March 2,
7:00 p.m.- Presentation of the Festival
Friday, March 4,
11:00 a.m. – 2:00 pm- Official Selection. Movies entering competition.
5:00 p.m. – 8:00 p.m.- Official Selection. Movies entering competition.
Saturday, March 5,
11:00 a.m. – 2:00 p.m.- Official Selection. Movies entering competition.
5:00 – 7:00 p.m.- Official Selection. Movies entering competition.
7:00 – 8:00 p.m.- Closing Festival. Reading track record and projection of the three winning short films.
DANCING IN THE IVAM
Dance Generation of Taiat Dansa, convenes a group of 25 performers from 10 years to older people regardless of age.
The 25 participants will work with the choreographers of Taiat Dansa, Meritxell Barberá and Inma García, bringing into play the otherness between past and present, between memory and action, between emergency and experience, to propose a choreographic work to the public, the result of this intergenerational encounter, in the Hall of IVAM.
Dates: From 22 to 28 February
Hours: 5.30 to 8 p.m.
Location: IVAM
Shows the public: February 28 at 1:00 p.m. at the hall of the IVAM
The museum modes of use
With this generic heading we include a series of actions that reflect on the physical or virtual spaces of the IVAM, from “operating instructions” (Perec dixit) to the explicit modes use the spaces that make up a museum, some of which are not the most recognizable and symbolic. The museum cycle modes of use will be offering visions and interpretations of the importance of place and space, their occupations or concealment within a contemporary museum.
Tour of the exhibition with José Miguel G. Cortés, curator of the exhibition and IVAM’s Director.
This activity is free of charge for Honorary Members and Friends of the IVAM. Also for the general public with a ticket to the Museum.
It is necessary to sign up 15 minutes before the start of the visit at the desk in the Hall of the IVAM. Limited places (first-come, first-served).
The museum produces
Designed by Javier Moral
This film series presents projections produced IVAM museum. Museums and art centers have plunged roles have boosted production and filmmakers museum projects without losing their identity. Titled “The museum produces”, approaches to new forms of artistic creation.
The museum modes of use
With this generic heading we include a series of actions that reflect on the physical or virtual spaces of the IVAM, from “operating instructions” (Perec dixit) to the explicit modes use the spaces that make up a museum, some of which are not the most recognizable and symbolic. The museum cycle modes of use will be offering visions and interpretations of the importance of place and space, their occupations or concealment within a contemporary museum.
This exhibition, the first to be devoted to an analysis of the sociocultural reality of the Mediterranean, questions whether this geographical area exists as a cultural, political or social entity. The show is arranged in two parts, the first of which reflects on the myth, that of the intellectuals from the north of Europe who travelled south in search of the lost Arcadia. Some of them did so to improve their health, others to encounter a much freer vision of the human body as an element of pleasure without the taboos of Protestant countries. The second and more contemporary part of the exhibition reflects on how there has been a transition from that idealised view to one of “fright”, with the Mediterranean as an area of permanent conflict, with problems such as immigration, inequality, racism and impassable frontiers.
Isaac Rosa, Sevilla, 1974. Writer, author of novels such as “El vano ayer” (Rómulo Gallegos Prize 2005) and “El país del miedo” “La mano Invisible”, “La Habitación Oscura” (Chimera Prize for Fiction 2013) , among others, he has worked in various print media, digital and radio.
Directors: Sonia Martinez and Miguel Angel Baixauli
The fourth edition of “Cine por venir” puts the focus on Who does and to make cinema today ?.
In 2016 we plan two events and time frames: the days (projections of Image and Word sessions), concentrated in a month, and the workshops of Action, which will cause a process of continuous work in time with the reactivation of Public come (process socio-film started in 2015).
Public to come is a line of work that understands cinema from participation, political co-production and the aesthetic work with local, which focuses on the processes in which it sits and which can potentially turn, empowering citizens and invites you to co-produce films and filmmaking in common.
Screenings:
Saturday, February 20: “Arraiano”, of Eloy Enciso.
Dialogue: Eloy Enciso and Álvaro de los Ángeles
Sunday, March 6: “The future” of Luis Lopez Carrasco
Dialogue: Luis López Carrasco y Aúrea Ortíz
We continue the series of conversations between artists whose aim is to connect works and projects that are similar in some way –or which present differences- with the intention of laying key concepts on the table, which will allow people to understand the contemporary artistic practice. Our intention is to be able to create a dialogue, to rethink, to imagine or to compare ideas, so that these, and their specification in several art forms, become again a consubstantial element of the debate on culture and contemporary art. Also, so that the artists themselves can present them.
Pepa Lopez Poquet, visual artist and Professor in the Department of Painting [Audiovisual area] of the Polytechnic University of Valencia Artist.
Anja Krakowski, artist and Doctor in Fine Arts from the Polytechnic University of Valencia.
This is free of charge for Honorary Members, Friends of IVAM and students of the Universidad Politécnica de Valencia and the Universitat de València. Other applicants will need to sign up and show the admission ticket to the museum, until all the places are taken.
The dissemination of modern and contemporary art is a fundamental premise of the IVAM, which is put into practice by means of exhibitions, activities, artist workshops, seminars, film or video series and different educational lines. These include guided tours of the temporary exhibitions or those of the Collection, school workshops and activities aimed at families. The course “Understanding Art” proposes, for the first time at the IVAM, a series of conferences with an informational nature given by curators of the museum, which goes over, in chronological order, the conceptual aspects and the artistic tendencies of art since the beginning of the 20th century until now. This course is composed of a total of 15 sessions between October 2015 and June 2016.
“Individual mythologies”
Thursday 11 February 7 p.m.
Teacher: Marta Arroyo, Curator of IVAM
NEXT:
Urban cartographies
Thursday 25 February 7 p.m.
Teacher: Mª Jesús Folch
Technology and multiplicity of images
Thursday 10 march 7 p.m.
Teacher: Teresa Millet
The presence of design in everyday life
Thursday 7 April 7 p.m.
Teacher: Álvaro de los Ángeles
Films and their relationship with the visual arts
Thursday 28 April 7 p.m.
Teacher: Mª Jesús Folch
