OthersIVAM Centre Julio González

This Christmas the IVAM has a surprise… for everyone!

The IVAM invites you to its headquarters in Valencia – Centre Julio González – and in Alcoy, so you can enjoy the museum’s modern and contemporary art, through a special programme filled with culture, leisure, and entertainment: workshops for families, guided tours for the general public, city tours, autonomous games, etc.

In addition, the museum will remain open, free of charge, during the holiday period so that you can continue to enjoy all the exhibitions..

You can check the opening hours and plan your visithere.

What better way to end the year and start 2022 by celebrating the museum that is full of art?

More information: ivam@ivam.es / teléfono 96.3176600

VisitsIVAM Centre Julio González

Activities in the exhibition Ensayos sobre lo cutre. Lecturas del Archivo Miguel Benlloch [Essays of Seediness. Readings from the archive Miguel Benlloch]

Meeting point: Main gate of the General Cemetery of Valencia (Calle Santo Domingo de Guzmán, nº 27).
Time: 12:30 p.m.

On this route we will visit the General Cemetery of Valencia, visiting the graves of sexual and gender dissidents who have been relevant in local and state history: the city’s LGTB activists, writers, transvestites from the first nightlife scenes, anarchist and communist militants who played an important role in the Republic, Francoism and the Transition… A journey through the entire 20th century and the beginning of this century.

During the tour – which lasts a maximum of 2 hours, we will stop at each of the ten or so tombs on the visit – we will be able to observe other aspects of the cemetery; its art, the consecutive architectural extensions, the social class of its inhabitants, or the mass graves of people who were repressed in the post-war period.

Piro Subrat (Alcalá de Henares, 1990) tries to dedicate himself to historiography outside the academy and has been involved for years in transmaricabibollo activism and anti-capitalist movements. The symbiosis between these themes led him to write Invertidos y Romepatrias. Marxism, anarchism, and sexual and gender disobedience in the Spanish state 1868-1982, and he also collaborates with other works and journals. His work in the alternative publishing field has resulted in dozens of fanzines with Distribuidora Peligrosidad Social, and he is currently part of Editorial Imperdible. For years he has been living in the neighbourhood of Cabanyal.

WorkshopsIVAM Centre Julio González

Workshop-activation-performance by Diego del Pozo Barriuso

Date: jueves 27 de enero de 2022

Target audience: Artists, art students and anyone motivated by the figure of Miguel Benlloch.

Hours:

  • From 4:00 p.m. to 7:45 p.m.: Workshop for registered participants
  • From 8:00 p.m. to 8:30 p.m.: Activation-Performances for the public carried out by registered participants

Capacity: 15 people

(Dynamics from 4:00 p.m. to 7:45 p.m., the group of participants will work internally in a section of the museum. At 8:00 p.m., there will be an open public presentation of the work process as an activation-performance in the exhibition space of the G3 Gallery).

Sin título (vuelta al asombro…) [Untitled (back to amazement…)] takes us on a journey through different aspects of the work, actions, and life of Miguel Benlloch. For this purpose, a small booklet has been created, which will be used by those who participate in the workshop with a series of “artistic scores”. These guidelines are a starting point for a performative activation in the exhibition spaces, covering sensitive aspects on issues such as the political power of shame, sensuality and eroticism, dissident gestures, and their travels through time…

Diego del Pozo Barriuso lives in Madrid, is an artist and a professor at the USAL Faculty of Fine Arts. He is a member of the artistic collectives CASITA, Subtramas and Declinación Magnética. His work is motivated by the politics of emotions, affective economies and how affects are socially and culturally produced. His work is part of collections at the Reina Sofía Museum in Madrid, CA2M in Móstoles, and MUSAC in León, among others.

WorkshopsIVAM Centre Julio González

Target audience: Artists, art students and anyone inspired by the figure of Miguel Benlloch.

Timetable:

  • Friday, 14 January, from 6 p.m. to 8:30 p.m.
  • Saturday, 15 January, from 12 p.m. to 2 p.m.

Capacity: 15 people

Mal de eww is a verbal remix and textual genesis workshop based on the manipulation of voice, utterances, and social roles from the exhibition Ensayos sobre lo cutre [Essays on Seediness]. Moving from the verbal productions of the Miguel Benlloch archive to the sonorous and performative landscape that surrounded the artist in Granada in the eighties, from the reception of vocal enunciations and distortions to writing, the workshop explores the semiosis of the linguistic-performative instances that construct social selves and their perspectivisms. From the phrase, with its subsequent turns and answers, “Can each one fit in many?” Mal de eww recovers and revolves the drag king-queen-prince/ss technique to the whole cultural interplay of verbal arts.

The workshop encourages us to think and practice a type of writing in which the grammatical signs and their motifs are not fixed positions, nor are they exactly parody, but rather bewilderment and uncertainty. And also, to manipulate the referential nature of the pact of consensual assignment of social value and prestige. The liminality of the medium. By putting into operation, the different possibilities of inhabiting from one’s own voice another self – from the machine, the paper, a self that used to be of the body – where does the built-in speculation of social stereotypes and their modes of entrenchment in violence or resistance lead? The laterality with which the forms and themes used to generate an identity are manipulated, as well as their numerical deviations, maybe, slide the different configurations of the trendy towards an improbable continuity, working on its visible fissures, maybe, generating a place for the words to inhabit the doubt.

Registration: activities@ivam.es

Tacoderaya are Jonás de Murias and Paula Pérez-Rodríguez. It is a collective of voices and sounds selection, of oral and rhythmic remixing, of generation of verb-sensory experiences. They have been residents of PhotoEspaña 2015, and performed at institutions such as CA2M, Sala de Arte Joven, Matadero Madrid or Conde Duque. Among them, HAY UNA PELEA E IMPORTA QUE PASE (THERE IS A FIGHT AND IT MATTERS THAT IT HAPPENS), (2015), a speech action around the traces of egos in any group taxonomy and their relationship with violence; titula este truste ánimo yop uwu (This sad mood is entitled yop uwu) (2020), which places it against the dispersion of the ego and the search for remains of attentional-capitalist experiences; or 1 ola majestic en mi balconee ( majestic wave on my balcony), the collective’s first video piece, which focuses on the landscapes of tourism as a link between the climate catastrophe and leisure, produced by L’Internationale Online (2021) and a program at the Fanzine Fest de Berlín (2021).

link: https://tacoderaya.net

OthersIVAM Centre Julio González

This second edition of El Berenar comes in the form of a conversation in which the invited artists –Diego Navarro and Darío Alva (artists of the Program), Guillermo Ros and Laura Costas– will create a virtual stage where they can share their work or research.

As an activity, El Berenar constitutes an informal meeting place for the presentation of projects by artists, authors or other cultural practitioners working in Valencia. In each edition, two guests together with one of the artists from the Art and Context Program will discuss their projects or interests. The conversation is open to everyone present.

The activity will be on Tuesday, 21st December, 2021, at 6:00 p.m. The link for online attendance will be published in due course.

ONLINE. NO ADVANCE REGISTRATION NECESSARY

connecting link: https://www.twitch.tv/zgh2005os00676097731

Diego Navarro is a multidisciplinary artist born and living in Valencia whose works in the fields of both sound –through the composition of electronic music and sound design for contemporary media– and visual media, mainly influenced by the aesthetics of video games and fantasy.

Darío Alva is a digital artist based in Madrid whose work involves audiovisual creation and CGI. His artistic practice is influenced by a wide range of media and disciplines, mainly focused on time-image studies or attentional economies.

Laura Costas is a manufacturer of dolls and artefacts born in Vigo.
Her work revolves around toys, childhood and violence with works such as Another foolish contender, To die in the countryside or Demon baby has its mother eyes. Her production goes beyond sculpture, to encompass sound, performance or paper media.

Guillermo Ros lives and works in Alboraya. The violence inherent in the creative process lies at the centre of his work: an exercise in analogies and the imaginary, culminating in a production of epic overtones. Ros takes the concept of “lore” – typical of the language of video games where it pertains to a story or a character’s background-, and transfers it to the artistic field: the “lore” of the elements, the material, the space, the context and – last but not least – his own, presenting a mixture of references that make up his personal conceptual framework.

VisitsIVAM Centre Julio González

Journey with the historian Eloi Boix-Català through Ciutat Vella to the fish market, to highlight the parallels between the nature of the fish market in Valencia and the “Un ejercicio de violencia” (An exercise in violence) exhibition by Guillermo Ros.

This journey sets out a story that begins in medieval Valencia and ends in the era of post-modern capitalism. The artist no longer aspires to lecture the viewer, nor to frighten him with the threat of sin and punishment. Hell has come alive in today’s material and human exploitation and there is no refuge in which to hide. We can only walk and stare at the rubble of a sinking narrative and world. A message that underlies all the work of Ros, heir to a lineage of stonecutters who found their vital drive in the exploitation of Valencian stone through iron and the strength of their hands.

The medieval iconography that inspired Kentaro Miura. Deformed and malicious beings that have come to life to destroy the architecture and the myth of which they were prisoners. From Pere Compte to Guillermo Ros, La Lonja de Valencia (Silk Exchange) and Un Ejercicio de Violencia (An Exercise in Violence) offer a reading of the construction and fall of the system with which reality was shaped. A synthesis that has never been easier to understand, or to walk through: between gallery 6 of the IVAM and the Lonja de la Seda (Silk Exchange). Fifteen minutes away on foot, in the city of Valencia.

Eloi Boix-Català is a graduate in History from the University of Valencia and holds a Master’s degree in Education, focusing his studies on the geography and past of the Valencian territory. He is currently working on a doctoral thesis in the Society and Culture programme at the University of Barcelona. He has an in-depth knowledge of the artistic career and work of Guillermo Ros since his beginnings.

OthersIVAM Centre Julio González

Past Continuous Cycle “Talk to me, body”

  • Saturday, December 11, at 19h.

“Talk to me, body” is part of “Looking for Pepe”, a study started by Nazario Díaz in 2016 that begins with the figure of the Cordovan artist Pepe Espaliú (1955-1993) to deploy a series of investigations around the body, language and territory. It takes its title from the text Juan Vicente Aliaga wrote on the occasion of the exhibition held at the Pabellón Mudéjar in Seville in 1994, a year after Espaliú’s death from AIDS. The study around his person and how he developed links between his work and his circumstances, affected by the illness, in a social and political moment in full transformation, inspires a work around the matter that mutates or disappears, and the idea of wear and tear and subjection of a body understood as physical and social existence.

REGISTRATION:

Prior reservation is required at actividades@ivam.es

 

  • Sunday, December 12, from 11 am to 2 pm.

MASTERCLASS by Nazario Díaz on his proposal “Talk to me, body”, focused on audiences interested in learning more about the details of the research, the creative process and the resulting outcome.

MASTERCLASS REGISTRATION

If you are interested, please send a letter of motivation to actividades@ivam.es.

Nazario Díaz (Linares, Jaén, 1985) develops his work mainly in the field of performing arts, focusing on the tension generated between body, gaze and writing. He is a member of Vértebro together with Juan Diego Calzada and Ángela López, with whom he curated the Beautiful Movers festival in Córdoba. As a performer he has worked with Jorge Gallardo, Isaak Erdoiza or Societat Doctor Alonso. Since 2018 he lives in Bilbao, where he participates in two collective learning contexts: PICA, a program to accompany a temporary community of artists and researchers led by Idoia Zabaleta and Luciana Chieregati, and the Invitation program, a proposal by Colectivo Qualquer to investigate and exchange methodologies and tools coming from the field of living arts. Looking for Pepe brings together previous interests around two central concepts: presence and resistance and is currently developing Otro borrado a través de la insistencia, solo, and Conversation pieces with Basque choreographer Isaak Erdoiza.

OthersIVAM Centre Julio González

“A tower” is an exercise of approach to the construction of a castle (“castell”) from a conformation -an agreement with the form- of three bodies in particular, a multitude. This process unfolds from the union between the Muixeranga d’Algemesí and the challenge of making the human tower.

The piece can be understood as an extract of Mira Si He Corregut Terres, a theoretical-practical research in which they insist on the correlation between challenges and rites (challenges and actions carried out in the tradition)-; from the attempt to approach or understand a shared behavior in the field of the global and the local, the atavistic and the close. All this is pointed out in a practical study of the shift from tradition to tendency framed in the uses of the body, always from the body itself.

Mar Reykjavik (Sagunto, 1995). She studied Fine Arts at the Polytechnic University of Valencia, specialising in moving image, installation and action. She has a Master in MasterLav ‘Laboratory of contemporary audiovisual creation’ combined with the Residence for Artists of the Hidden Space, until 2018. In 2018 she was an artist in-residence at the Fundación Bilbaoarte where she developed her project WAAITT, until 2019, with which she obtains one of their awards. In 2019 she is one of the artists awarded a grant by the GVA Consorci de Museus de la Comunidad Valenciana to carry out a project within the framework of Resistències. She is in one of the residencies ‘Artists in Residence at La Casa Encendida + CA2M’

She carries out the RENDER project, together with Quiela Nuc and Jara Rocha, within the framework of the InJuve grant. Her work has been exhibited/screened in spaces nationwide such as Pols, La Gallera, Fundació La Posta, Octubre CCC and el Muvim in Valencia, CA2M, Espacio Oculto, Storm And Drunk, Casabanchel or Cineteca de Matadero in Madrid, Zumzeig Cinema in Barcelona, Fundación Bilbaoarte or El Respiradero in the Basque Country, Da2 Artium Salamanca, COAC-Fotonoviembre in Tenerife and international ones such as Galeria NGBK, Berlin or SupermarketArtFair, Stockholm or Centro Cultural el Recoleta, in Buenos Aires.

She combines artistic production with teaching in spaces such as MasterLav, MACA Master in Experimental Architecture, Woman Make or La Fotoescuela.

VisitsIVAM Centre Julio González

Journey with the historian Eloi Boix-Català through Ciutat Vella to the fish market, to highlight the parallels between the nature of the fish market in Valencia and the “Un ejercicio de violencia” (An exercise in violence) exhibition by Guillermo Ros.

This journey sets out a story that begins in medieval Valencia and ends in the era of post-modern capitalism. The artist no longer aspires to lecture the viewer, nor to frighten him with the threat of sin and punishment. Hell has come alive in today’s material and human exploitation and there is no refuge in which to hide. We can only walk and stare at the rubble of a sinking narrative and world. A message that underlies all the work of Ros, heir to a lineage of stonecutters who found their vital drive in the exploitation of Valencian stone through iron and the strength of their hands.

The medieval iconography that inspired Kentaro Miura. Deformed and malicious beings that have come to life to destroy the architecture and the myth of which they were prisoners. From Pere Compte to Guillermo Ros, La Lonja de Valencia (Silk Exchange) and Un Ejercicio de Violencia (An Exercise in Violence) offer a reading of the construction and fall of the system with which reality was shaped. A synthesis that has never been easier to understand, or to walk through: between gallery 6 of the IVAM and the Lonja de la Seda (Silk Exchange). Fifteen minutes away on foot, in the city of Valencia.

Eloi Boix-Català is a graduate in History from the University of Valencia and holds a Master’s degree in Education, focusing his studies on the geography and past of the Valencian territory. He is currently working on a doctoral thesis in the Society and Culture programme at the University of Barcelona. He has an in-depth knowledge of the artistic career and work of Guillermo Ros since his beginnings.

Designs for the Sound of Valencia

ExhibitionIVAM Centre Julio González

Ruta Gráfica. Designs for the Sound of Valencia showcases posters and graphic designs for what was popularly known as the ruta del bakalao, the city’s thriving rave and clubbing scene in the eighties and nineties.

The goal is to afford a unifying narrative on the evolution of the graphic design that grew up around the scene, one of its lesser known aspects. The point of departure for the exhibition walkthrough is Valencia’s longstanding tradition in comics and illustration, connecting with the arrival of modernity in music and aesthetics in the eighties, and ending up in the digital technologies that defined the final phases of the phenomenon. The exhibits are supplemented with numerous interviews with the various agents involved in the design process—designers, artists, printers and cultural managers—along with a selection of classic posters and merchandising from the time.

The idea behind Ruta Gráfica is to offer a coherent discourse on the beginnings, evolution and apogee of an aesthetic and imaginary highly specific to Valencia, while at once defending its unique artistic and cultural value.

Videos

ExhibitionIVAM Centre Julio González

Zanele Muholi (Umlazi, South Africa, 1972) is an artist and visual activist, and one of today’s most universally acclaimed photographers. They define themself as non-binary and use the pronouns they/them/theirs. Addressing issues of race, gender and sexuality, their work in photography, video and installation has been exhibited worldwide. This show, co-produced with Tate Modern and presenting around 260 photographs, is the largest so far in their career.

For over twenty years, Muholi has been making photographs that document and celebrate the lives of black, lesbian, gay, trans, queer and intersex communities in South Africa. In their early series, called Only Half the Picture, Muholi captured moments of love and intimacy, but also images that speak of traumatic events, because, despite the promise of equality enshrined in the 1968 Constitution of the Republic of South Africa, the country’s LGTBIQA+ communities are still the object of violence. In Faces and Phases each subject looks directly at the camera, challenging the beholder to maintain their gaze. These images, coupled with first-hand testimonies, create an archive of a community of people who put their lives at risk to stand up to discrimination. Another key series in their body of work is Brave Beauties, based on the empowerment of trans women, gender non-conforming and non-binary people. In the series Somnyama Ngonyama, Muholi turns the camera on themself to offer powerful and reflexive images that explore themes of labour, racism, Eurocentrism and sexual politics.

Zanele Muholi received an Infinity Award from the International Center of Photography and a Chevalier de Ordre des Arts et des Lettres in 2016 and an Honorary Fellowship of the Royal Photographic Society in 2018.

Download exhibition dossier

Videos

Art and Life

ExhibitionIVAM Centre Julio González

This exhibition is dedicated to the work of Anni and Josef Albers, exploring the various lines of artistic production of these two towering artists and pioneers of twentieth-century modernism. While they developed their respective work independently, the intimate, empathetic bond between them underpinned a lifetime of mutual support and encouragement and an ongoing dialogue founded on shared respect.

Anni and Josef Albers met in 1922 at the Bauhaus and married three years later. Throughout their lives and artistic practices, they shared the conviction that art could profoundly transform our world and should be at the very heart of human existence.

In addition to its comprehensive presentation of their respective oeuvres, this is the first exhibition in Spain dedicated to the two artists as a couple throughout the different phases of their creative production. The exhibition follows a chronological order and comprises around 350 works—paintings, photographs, designs and textiles, films, documentary material, as well as a selection of furniture from their time at Bauhaus—that mark some of the many highlights in the career of the couple of artists.

Videos