CatedraIVAM Centre Julio González

Lecture by the French historian Henry Rousso, organized by the Chair of Artistic Studies. 20th / 21st centuries

Henry Rousso, is an Egyptian-born French historian specializing in World War II France.

CHAIR OF ARTISTIC STUDIES. 20th/21st CENTURIES

IVAM-UV-UPV (Institut Valencià d’Art Modern-Universitat de València-Universitat Politècnica de València-Universidad Miguel Hernández)

Directors: Juan Vicente Aliaga / Vicente Sánchez-Biosca

The life in images of contemporary culture outruns the (material and immaterial) traditional spaces in which they were entrapped in the past, even the recent past. Their genres and registers, their ambits of circulation, their ceaseless migrations give the impression of offering a previously unknown experience of the real at the same time as, in an apparent paradox, they display a not in the least feigned technological pride.

Nevertheless, however much studies of the History of Art, Fine Arts, Journalism and Audiovisual Communication have attempted to adapt to the demands of this state of affairs, the lability of the borders between creation and reflection, technology and art, the media and the collective imaginary, among others, requires more ductile ambits of reflection and debate than those to be found in university studies and traditional research. On the other hand, unlike classical philology, palaeography, the exegesis of written texts and the image still presents an imbalance between its (emotional, conceptual, political, memory-based) impact and the instruments provided to analyse it.

The aim of Cátedra Estudios Artísticos, arising from the collaboration between the University of Valencia, the Polytechnic University of Valencia and the IVAM, will consist in encouraging this reflection about the life of images both in the world of art and in social life, including imaginary. It will do so broadmindedly, avoiding academic, artistic or technological restrictions, but, nevertheless, thriving on and taking advantage of all the academic, museum-based and institutional aids at its disposal. For that reason, the fact that it is held at the IVAM is propitious because it can enrich its activities with the reflection about exhibitions, installations or lectures, and also the series of projections.

VisitsIVAM Centre Julio González

Guided tours to exhibitions by Pilar Martínez, BA Art History.

Visits:

Fake. It is not true, it is not a lie
January 8th and 22nd

Case study: RICHARD HAMILTON. Objects, interiors, self-portraits and people.
February 12th and 26th

Xavier Arenós. Presence and absence.
March 12th and 26th

 

*** THIS VISITS WILL BE IN SPANISH***

VisitsIVAM Centre Julio González

Guided tours to exhibitions by Pilar Martínez, BA Art History.

Visits:

Fake. It is not true, it is not a lie
January 8th and 22nd

Case study: RICHARD HAMILTON. Objects, interiors, self-portraits and people.
February 12th and 26th

Xavier Arenós. Presence and absence.
March 12th and 26th

Las constelaciones de Julio González.
April 2nd and 9th

 

*** THIS VISITS WILL BE IN SPANISH***

VisitsIVAM Centre Julio González

Guided tours to exhibitions by Pilar Martínez, BA Art History.

Visits:

Fake. It is not true, it is not a lie
January 8th and 22nd

Case study: RICHARD HAMILTON. Objects, interiors, self-portraits and people.
February 12th and 26th

Xavier Arenós. Presence and absence.
March 12th and 26th

Las constelaciones de Julio González.
April 2nd and 9th

Helena Almeida. Corpus.
May 7th and 21st

 

*** THIS VISITS WILL BE IN SPANISH***

VisitsIVAM Centre Julio González

Guided tours to exhibitions by Pilar Martínez, BA Art History.

Visits:

Fake. It is not true, it is not a lie
January 8th and 22nd

Case study: RICHARD HAMILTON. Objects, interiors, self-portraits and people.
February 12th and 26th

Xavier Arenós. Presence and absence.
March 12th and 26th

Las constelaciones de Julio González.
April 2nd and 9th

Helena Almeida. Corpus.
May 7th and 21st

Joana Hadjithomas & Khalil Joreige.
June 11th and 25th

Carmela García. Images of power – cartography of the invisible
September 17th

Case study: Robert Frank
September 24th

 

*** THIS VISITS WILL BE IN SPANISH***

VisitsIVAM Centre Julio González

Guided tours to exhibitions by Pilar Martínez, BA Art History.

Visits:

Fake. It is not true, it is not a lie
January 8th and 22nd

Case study: RICHARD HAMILTON. Objects, interiors, self-portraits and people.
February 12th and 26th

Xavier Arenós. Presence and absence.
March 12th and 26th

Las constelaciones de Julio González.
April 2nd and 9th

Helena Almeida. Corpus.
May 7th and 21st

Joana Hadjithomas & Khalil Joreige.
June 11th and 25th

Carmela García. Images of power – cartography of the invisible
September 17th

Case study: Robert Frank
September 24th

Anzo. Isolation
October 8th and 22nd

 

*** THIS VISITS WILL BE IN SPANISH***

Related

Anzo

VisitsIVAM Centre Julio González

Guided tours to exhibitions by Pilar Martínez, BA Art History.

Visits:

Fake. It is not true, it is not a lie
January 8th and 22nd

Case study: RICHARD HAMILTON. Objects, interiors, self-portraits and people.
February 12th and 26th

Xavier Arenós. Presence and absence.
March 12th and 26th

Las constelaciones de Julio González.
April 2nd and 9th

Helena Almeida. Corpus.
May 7th and 21st

Joana Hadjithomas & Khalil Joreige.
June 11th and 25th

Carmela García. Images of power – cartography of the invisible
September 17th

Case study: Robert Frank
September 24th

Anzo. Isolation
October 8th and 22nd

In rebellion. Female Narratives in the Arab World
November 12th and 26th

 

*** THIS VISITS WILL BE IN SPANISH***

VisitsIVAM Centre Julio González

Guided tours to exhibitions by Pilar Martínez, BA Art History.

Visits:

Fake. It is not true, it is not a lie
January 8th and 22nd

Case study: RICHARD HAMILTON. Objects, interiors, self-portraits and people.
February 12th and 26th

Xavier Arenós. Presence and absence.
March 12th and 26th

Las constelaciones de Julio González.
April 2nd and 9th

Helena Almeida. Corpus.
May 7th and 21st

Joana Hadjithomas & Khalil Joreige.
June 11th and 25th

Carmela García. Images of power – cartography of the invisible
September 17th

Case study: Robert Frank
September 24th

Anzo. Isolation
October 8th and 22nd

In rebellion. Female Narratives in the Arab World
November 12th and 26th

Case study: Ignasi Aballí
December 3rd and 17th

 

*** THIS VISITS WILL BE IN SPANISH***

CatedraIVAM Centre Julio González

Lecture “Autopsia de un subtierro. Retrato de la Guerra Civil Española” of Francisco Ferrándiz, organized by the Chair of Artistic Studies. 20th / 21st centuries.

Francisco Ferrándiz 

(PhD in Anthropology, University of California, Berkeley, 1996) is a Senior Scientist at the Instituto de Lengua, Literatura y Antropología (ILLA) of the Centro de Ciencias Humanas y Sociales (CCHS) of the Consejo Superior de Investigaciones Científicas (CSIC).

His fields of interest include cultural studies, popular religiosity, visual anthropology, medical anthropology, body anthropology and the anthropology of violence, with special emphasis on research related to memory and social trauma. So far her two major ethnographic projects have been aimed at the spiritualist cult of Maria Lionza in Venezuela and, since 2003, the policies of memory in contemporary Spain, through the analysis of exhumations of mass graves of the civil war (1936-1939).

He has been Professor and / or Researcher of the Universities of Berkeley, Virginia, Central Venezuela, Utrecht, Autonomous State of Morelos, Deusto and Extremadura. He has also taught postgraduate studies at the Central Universities of Barcelona, ​​Complutense, Rovira i Virgili and the Basque Country. At the University of Deusto (1999-2006), he was Director of the UNESCO Chair for Human Resource Training for Latin America (2001-2002) and Director of the Doctorate Migrations and Conflicts in Global Society (2002-2006). He is currently Coordinator of the EDEN (European Doctorate Enhancement on Peace and Conflict Research) network, funded by the European Commission’s Erasmus program. He has published numerous articles in national and international magazines.

 

CHAIR OF ARTISTIC STUDIES. 20th/21st CENTURIES

IVAM-UV-UPV (Institut Valencià d’Art Modern-Universitat de València-Universitat Politècnica de València-Universidad Miguel Hernández)

Directors: Juan Vicente Aliaga / Vicente Sánchez-Biosca

The life in images of contemporary culture outruns the (material and immaterial) traditional spaces in which they were entrapped in the past, even the recent past. Their genres and registers, their ambits of circulation, their ceaseless migrations give the impression of offering a previously unknown experience of the real at the same time as, in an apparent paradox, they display a not in the least feigned technological pride.

Nevertheless, however much studies of the History of Art, Fine Arts, Journalism and Audiovisual Communication have attempted to adapt to the demands of this state of affairs, the lability of the borders between creation and reflection, technology and art, the media and the collective imaginary, among others, requires more ductile ambits of reflection and debate than those to be found in university studies and traditional research. On the other hand, unlike classical philology, palaeography, the exegesis of written texts and the image still presents an imbalance between its (emotional, conceptual, political, memory-based) impact and the instruments provided to analyse it.

The aim of Cátedra Estudios Artísticos, arising from the collaboration between the University of Valencia, the Polytechnic University of Valencia and the IVAM, will consist in encouraging this reflection about the life of images both in the world of art and in social life, including imaginary. It will do so broadmindedly, avoiding academic, artistic or technological restrictions, but, nevertheless, thriving on and taking advantage of all the academic, museum-based and institutional aids at its disposal. For that reason, the fact that it is held at the IVAM is propitious because it can enrich its activities with the reflection about exhibitions, installations or lectures, and also the series of projections.

Video

ConversationsIVAM Centre Julio González

Conversation between the artist Nico Munuera and the art critic David Barro on the occasion of the exhibition “Praecisio: Nico Munuera”.

The starting point for the proposed site-specific exhibition for Valencia that will be presented in the IVAM’s Gallery 6 with the title Praecisio is the idea of a physical limit and how the conception of this limit influences the ability to perceive.

The exhibition will examine the areas that are delimited plastically in the process of painting and will offer an extrapolation of the act of observing connected with the systems of representation of territory, ranging from the continuously changing pattern caused by the movement of the sea on the coast to the clear lack of definition involved in walking and not knowing exactly where the city ends and the countryside begins. In other words, physical places where the end of one state is mixed up with the beginning of the next one.

Areas of interchange or self-definition owing to their difference, whose borders of interrelation that cut and join are fundamental states in painting, where attention is intensified in order to reveal the imperceptible. For this reason, setting out from this questioning and the idea that the limits of the city are always clearly perceptible on a plan but not on the ground, Nico Munuera will establish certain relationships with painting, focusing on the physical boundary as something that constantly generates points of attention.

VisitsIVAM Centre Julio González

Guided tour to the exhibition “In Rebellion. Female Narratives in the Arab World” with Juan Vicente Aliaga, curator of the exhibition

Free activity. Priority for Honorary Members and Friends of the IVAM.

Application must be made 15 minutes before the start of the tour at the counter in the IVAM entrance hall. Places limited (allocated by order of application).