Fourth Session

EducationalIVAM Centre Julio González

This is free of charge for Honorary Members, Friends of IVAM and students of the Universidad Politécnica de Valencia and the Universitat de Valencia. Other applicants will need to sign up and show the admission ticket to the museum, until all the places are taken. Registration from September at the customer service desk of the IVAM.

Fourth Session: Marta Arroyo, Curator at IVAM

Topic: “Informalistic painting”

The dissemination of modern and contemporary art is a fundamental premise of the IVAM, which is put into practice by means of exhibitions, activities, artist workshops, seminars, film or video series and different educational lines. These include guided tours of the temporary exhibitions or those of the Collection, school workshops and activities aimed at families. The course “Understanding Art” proposes, for the first time at the IVAM, a series of conferences with an informational nature given by curators of the museum, which goes over, in chronological order, the conceptual aspects and the artistic tendencies of art since the beginning of the 20th century until now,. This course is composed of a total of 15 sessions between October 2015 and June 2016.

The IVAM will provide a certificate of attendance for people who attend at least an 80% of the course.

VisitsIVAM Centre Julio González

 

Joan Cerveró, an orchestra leader, Professor of chamber music and new technologies – specialist in contemporary music – from the Conservatorio Superior de Música de Castellón. Master Studies in Aesthetics and Creativity at the UV (University of Valencia). Leader of Grup Instrumental de València.

VisitsIVAM Centre Julio González

This activity is free of charge for Honorary Members and Friends of the IVAM. Also for the general public with a ticket to the Museum.

It is necessary to sign up 15 minutes before the start of the visit at the desk in the Hall of the IVAM. Limited places (first-come, first-served).

Manuel Baixauli is  writer and painter.

 

EducationalWorkshopsIVAM Centre Julio González

The educational workshop “Avant-gardes”, related to the exhibition “Constructing New Worlds. Historic avant-gardes in the IVAM’s Collection 1914-1945” will consist of an interactive tour of the exhibition and of an activity that will change every trimester. It will take place at the IVAM from the 13th of October of 2015 until the 3rd of June of 2016.

These workshops are free of charge and there will be two different kinds of them: one for students in the last year of pre-school and primary school, and one for secondary school, college and vocational education students.
FIRST SEMESTER “Calder’s mobile” (October-December 2015)
Workshop on Alexander Calder’s work. Creating a mobile with different elements.

SECOND SEMESTER “The fanzine of Avant-gardes” (January-March 2016)
Workshop, which includes different educational activities regarding design, illustration, colour, etc.

THIRD SEMESTER “Torres-García’s pieces” (April-June 2016)
Workshop on Joaquín Torres-García’s work: Building figures with geometrical wood pieces.

ADDITIONAL INFORMATION
WORKSHOP SCHEDULE:
Tuesday-Friday from 10.00 am to 01.30 pm, and 03.30 pm to 06.30 pm.

DURATION:
Approximately 1 hour and a half per group.

GROUPS:
25-30 people per session.

AGES:
Children from 5 years of age and older.

INFORMATION AND RESERVATIONS:
From the 1st of September you can book a spot by calling 96 386 99 92, from Monday to Friday, from 08.30 am to 01.30 pm.

INFORMATION FOR TEACHERS OF SCHOOL PARTICIPANTS:
Tuesday October 6th at 18.00h. for teachers of infants and primary years. Wednesday October 7th at 18.00h. for teachers of secundary and bachiller years.

MEETING POINT:
Museum’s Hall. Tour through the exhibition and visit to the workshop.

VisitsIVAM Centre Julio González

Application must be made 15 minutes before the start of the tour at the counter in the IVAM entrance hall.
Places limited to 30 participants (allocated by order of application).

OthersIVAM Centre Julio González

This fashion show is carried out as part of a research project inspired by the works by Julio Gonzalez that are part of the Permanent Collection. This collaboration meets the IVAM’s will to collaborate on projects involved in research and education, as well as the dissemination of culture and art.

VisitsIVAM Centre Julio González
Free activity for visitors to the Museum. Application must be made 15 minutes before the start of the tour at the counter in the IVAM entrance hall.
Places limited to 30 participants (allocated by order of application).

Nelson Leirner i Alburquerque Mendes

ExhibitionExposicióIVAM Centre Julio GonzálezIVAM Centre Julio González

Nelson Leirner (São Paulo 1932) i Albuquerque Mendes (Trancoso, Portugal, 1953) són dos il·luminadors de la nostra experiència. Viatgen, recorren trajectes de sentiments i sentits a través dels seus treballs artístics que, des d’uns orígens i plantejaments distints, acaben per confluir en una trobada. Una trobada plàstica i poètica que ens permet, a tots aquells que la visitem, reconéixer-nos en ella.

Els camins que confluïxen com a demostració de la circularitat del món. Els dos presenten en esta mostra una obra única i comuna: Camino de santos, però també es podria dir El uno en el otro, fruit d’un diàleg entre dos artistes que, a pesar de realitzar produccions molt distintes i viure en dos continents diferents, Europa i Amèrica, es consideren germans en el pla creatiu. El que proposa l’obra Camino de santos és una espècie de tapís plàstic, teixit a quatre mans, amb una sèrie d’“històries que s’entrecreuen” (Albuquerque Mendes). La idea de la desfilada, de la manifestació, de les processons, és el fil conductor d’este entrecreuament d’històries que, al seu torn, establix un joc de contrastos entre el sagrat i el profà. Tant Leirner com Mendes qüestionen els sentits i l’abast dels rituals, de les cerimònies, fins que invertixen el seu sentit original i mostren l’altra cara, allò que habitualment no hi advertim

EducationalWorkshopsIVAM Centre Julio González

The didactic workshop “Confines. Passage of the Contemporary Arts ” is based on the work of the artist Esther Stocker, who tries to reflect the limit existing between the painting and the architecture. A limit understood as something that is on both sides of a border. The didactic activity is about the work “Untitled, 2006”, in which the public is a mere spectator, but afterwards, it turns into a part of it and even to being able to walk around it. This way the existing barrier between the work of art and the spectator is broken. This work begins with the investigation of the term “bundle” conceived as a cavity to be protected from external incursions and of being walked.

When some has acces to the didactic workshop the word “limit” is labeled in the floor. Once inside the workshop, in a few panels integrated inside the own space of the workshop, the tables and chairs are placed to be able to work in an individual form, about Stocker’s work, which proposes a reflection on the sense of the geometric abstraction, on the modalities of perception between work and spectator.

Primary forms, reticles, compositive geometries that vibrate for the interaction of “no colors”, white and black, constitute the only occasion to get in touch with an artistic tour that proposes the reflection on the conceptual and visual devices of the modernity. The participants will work with three dimensions and will create a model for a passable space. These compositions will me made with rods of wood that have to be assembled and later be painted in black color. It is a question of looking for in the white of the space and in the black of the structures, and this way creating a fluid, dynamic language, with great energetic presence. A global image intends to be provoked using the “no colors” where its components vibrate and play with our perception. It will be possible to observe the limits of a completely white space get lost, not knowing in which plan the black structures. On having a space a completely white our visual perception gets lost because it lacks references. Once the work is finished, every participant will be able to take his work.

The workshop will be displaying the projects made by the pupils from the schools which took part in it from November 22nd, 2009 to January 10th, 2010 during the museum’s opening hours. Each group will present a collective work using photography and photomontage, which will result in a collective exhibition where their experiences and impressions will be reflected.

EducationalWorkshopsIVAM Centre Julio González

The didactic workshop “The Red Line. Spanish abstract art in the IVAM Collection” is based on the works by artist Joan Brossa that are displayed in the exhibition under the same name, focusing on his calligrams and visual poems. The table on which participants will work has the shape of letter A and is painted red. On it newspaper cuttings will be used as the basic material for the workshop. Letter A is the letter par excellence in Brossa’s art. Participants will work on visual poems and a kind of poetry in which the image, the visual arrangement of the text, techniques and materials are important in the composition. This kind of non-verbal poetry is a unique genre in the field of experimental arts. Students will be provided with templates with letters, with which they will be able to work on the alphabet, and some newspapers, from which they will be able to extract images, words and typography. Then they will work independently to create their own compositions with crayons on DIN A4 cardboard. When the activity is completed, they can take their works home. Throughout the workshop it will be possible to listen to music by the composer Josep M. Mestres Quadreny, who worked with the artist on many an occasion.

The workshop lasts 1h. 30 min per group.
These workshops are addressed to all types of public: students, adults, occupational centres, etc.

EducationalWorkshopsIVAM Centre Julio González

The installation of Miquel Navarro “Una urbe en tus manos” is composed of hundreds of small gray aluminum parts distributed over 50 m2 that make up a city in which the participants are expected to freely create their own. It is a game that invites them to reshape and transform the space, moving the pieces from their site, placing them differently each time through the established perimeter.

In this city there are pieces with different shapes: cubic, conic, prismatic … The objective is, apart from the playful aspect, to make them discover the city, and develop their imagination to create their own vision of the city: horizontality, verticality, shape, structure … in essence, to project the vision of how they think and imagine the city.

The installation is designed with an educational purpose, the process of construction and de-construction is a fundamental premise in this piece-installation in which participants will build their imagined city.

This educational project welcomes all kinds of public, although it is designed essentially for children aged 5 to 12 who will be led by instructors that will briefly explain the cities of Miquel Navarro, which can be found in the room and invigorate the activity where this work-shop is installed, leaving the children free to build their own city. The groups taking part will be of 10 to 15 people.

This workshop, will be available from Tuesday to Friday at 10, 11, 12, 16, 17 and 18 hours for scheduled groups during the month of may, and Sundays for the general public at 11, 12 and 13 hours until July 13th. It will last a maximum of approximately forty-five minutes.

This activity will help to develop the creativity and artistic talent of the participants while civic notions of cooperation and respect for others, and the affirmation of one’s personality in a context of freedom and tolerance are reinforced.

OthersIVAM Centre Julio González

The talk will be conducted by Juan Francisco Rueda, Nico Munuera and Ricardo Forriols. The book “Nico Munuera” by Juan Francisco Rueda, edited by Nocapaper, will be presented.

The participants in the talk will show the importance of the work process in the final artwork through his personal vision and professional experience.