SeminarsIVAM Centre Julio González
11.00h.  Vicente Benet. Professor of Audiovisual Communication at the Universitat Jaume I in Castellón.
12.30h. Laurence Bertrand-Dorleac, Co-curator with Jacqueline Munk of the exhibition: L’art en guerre, France 1938 – 1947, Musée d’art Moderne de la Ville de Paris, 2012, and curator of the exhibition Les désastres de la guerre. 1800-2014, Louvre-Lens, 2014
16.30h. Jordi Pérez Colomé, expert in international politics and director of the magazine El ciervo.
18.00h. Round table with all the speakers. Moderator: Juan Vicente Aliaga.

 

Video

https://youtu.be/Ax5QibUxWYc
OthersVisitsIVAM Centre Julio González

This is a series of guided tours by professionals in the art world of “Constructing New Worlds The historic avant-gardes in the IVAM collection 1914 – 1945“, in this case by the artitst Carmen Calvo (Valencia 1950).

Application must be made 15 minutes before the start of the tour at the counter in the IVAM entrance hall.

Places limited to 30 participants (allocated by order of application).

Carmen Calvo (Valencia 1950) participated in the XLVII Venice Biennale 1997, representing Spain. He has exhibited individually at IVAM in 1990 and 2007 and was awarded the National Prize of Plastic Arts in 2013.

Video

OthersIVAM Centre Julio González
Free activity for visitors to the Museum.
Application must be made 15 minutes before the start of the tour at the counter in the IVAM entrance hall.
Places limited to 30 participants (allocated by order of application).
VisitsIVAM Centre Julio González

This is a series of guided tours by professionals in the art world, in this case of “Constructing New Worlds The historic avant-gardes in the IVAM collection 1914 – 1945” by professor Miguel Corella.

Application must be made 15 minutes before the start of the tour at the counter in the IVAM entrance hall.

Places limited to 30 participants (allocated by order of application).

Miguel Corella is professor of Aesthetics and Art Theory at the Faculty of Fine Arts of San Carlos of Valencia and director of the Department of Audiovisual Communication, Documentation and History of Art at Universitat Politècnica de València.

EducationalWorkshopsIVAM Centre Julio González
After the reception of the group, the guides of the workshop will carry out a brief visit to the exhibition, guided and commented. Next, into the workshop, they will make a little introduction about the collage technique and  it is proposed to create one in an spontaneous and personal way, with the materials available. The collage is based mainly on the manipulation of different materials used as raw material, such as newspapers, magazines, colored papers, and so on.
 Once the didactic acitivity has finished, each participant can take his own collage, his own interpretation about peace.

Video

The artist Christian Boltanski awarded

OthersIVAM Centre Julio González

Christian Boltanski (Paris, 1944) is receiving the International Prize Julio González of the Generalitat Valenciana, edition 2014. This award honors individuals who stand for his career in artistic creation internationally. In previous twelve editions this award was received by Georg Baselitz, Cy Twombly, Eduardo Chillida, Anish Kapoor, Markus Lüpertz, Robert Rauschenberg, Anthony Caro, Miquel Navarro, Pierre Soulages, Frank Stella, Robert Morris and Bernar Venet.

Memory, loss and death are the cornerstones of the work of Christian Boltanki, obsessed by the major issues related to human existence, such as the disappearance, forgetfulness, chance of living and the trail left by any life after ceasing to exist. La Réserve des Suisses Morts, 1991, one of his most significant works, is part of the IVAM Collection.

TheatreIVAM Centre Julio González

Los pájaros muertos portrays a journey through the years and names shared the time, cities and cafes with Pablo Picasso. Declaims the constant disappearance of the men who came to his life, the inevitable fate of the characters who accompanied one of the most prominent figures of the twentieth century and who shared with him the fruitful and destructive years of the century.