Programa d'Art i Context

Art i ContextWorkshopsIVAM Centre Julio González

Raúl Lorenzo and Marina González Guerreiro

From the belief that a question can travel towards an answer like water towards thirst (Antropología del agua, Anne Carson), we propose a free walk through the mouth of the Carraixet ravine where each participant will take care of a question asked by another person, in the form of an invisible friend. Without falling into the urgency imposed on doubt by an immediate resolution, in this exercise on correspondence and interpretations, we will allow the question to show us its own pace.

Raúl Lorenzo (Zamora, 1985) is a Fine Arts graduate from the University of Salamanca and holds a Masters in Artistic Production from the Polytechnic University of Valencia. He has been a resident at the Bilbaoarte foundation (Bilbao) and Residencias a Quemarropa (Alicante), and rewarded with support in the creation of the Villalar de castile and Leon Foundation. He has collaborated with institutions like the Valencia Museum of Fine arts or the Provincial Museum of Zamora and, since 2022, he has been the founder and curator of Saceca, an independent art space situated in the province of Valencia.

Programa d'Art i Context

Art i ContextWorkshopsIVAM Centre Julio González

Raúl Lorenzo, Sonia Tarazona, Ale Granero and Marina González Guerreiro

Marina González Guerreiro proposes a plural activity as part of her research in the Art and Context Programme at the IVAM. Although it is possible to sign up separately to each of the exercises, we recommend taking part in all three activities.

Ale, Sonia, Raúl and Marina suggest three writing exercises, three short trips to try and escape time. Understanding writing in its broadest sense, as a record or desire to record, we will distance ourselves from the linear, chronological, productivist and alienating time that reigns, to enable dynamics such as the pause, waiting, observation and digression to emerge. Without any tricks of escapism, off we go.

Tuesday 27th September, 18.30.

A question.

Raúl Lorenzo and Marina González Guerreiro

From the belief that a question can travel towards an answer like water towards thirst (Antropología del agua, Anne Carson), we propose a free walk through the mouth of the Carraixet ravine where each participant will take care of a question asked by another person, in the form of an invisible friend. Without falling into the urgency imposed on doubt by an immediate resolution, in this exercise on correspondence and interpretations, we will allow the question to show us its own pace.

Friday 30th September, 18.30.

Own seat. Writing from a logbook on an urban boat.

Sonia Tarazona and Marina González Guerreiro

Own seat. Writing from a logbook on an urban boat was born from the lack of space and time for oneself in cities, and outlines an exercise of automatic immersive writing on one of the public buses of Line C1 Centre Històric (Historic Quarter), starting from EMT bus stop 796 – IVAM. The activity is split into three parts: the collective reading of texts related with the topic and explanation of the activity; travel and writing from the logbook; anonymous reading from the logbook texts.

Friday 30th September, 18.30.

Observatory of the unexpected.

Ale Granero and Marina González Guerreiro

When we think about the fall of a lightning bolt, most people imagine a storm and we don’t expect it to fall on a clear day. However, it is possible that the unlikely could happen on that day. Side by side, we will build an observatory from which to expect the unexpected and think about everything that falls from the sky or is given to us as a matter of course. At the end of the activity, we will try to draw a map with our observations.

Activity organised with Mostra Viva del Mediterrani

ConversationsIVAM Centre Julio González

Nuccio Ordine is a world-renowned, and one of the most respected on a European level, essayist and intellectual. He defines himself as a staunch defender of humanities in the education system and is the author of memorable works such as The Usefulness of the Useless, an editorial phenomenon which has triumphed all over the world. He will talk to the publisher and journalist, Manolo Gil, about the death of humanities, literature and human solidarity, and will reveal that classics that have influenced him the most.

Mostra Viva del Mediterrani

Travel towards the blackness in spacetime. Research team call

EducationalIVAM Centre Julio GonzálezTerritory

“Black Spain” – EN- is a group and situated research, a proposal from the Diaspora LAB from Radio Africa, at a time of awakening from the blackness in Spain. The main goal of the EN project is to build a common cultural background about black experience and thought in Spain, from the first traces of “Blackness” to the modern day, passing through the most famous facts and those that have been ignored, hidden or deleted. In the current context, we start from a fragmented knowledge, dispersed in the academic world, in African studies, in art, in museums, in music, in activism or historiography, which have generated disjointed and partial views, often enclosed in their own bubble of knowledge or buried in a hidden silence. That’s why, EN proposes this piece of research in order to trace, reunite and weave these snippets and link them together in a rich written and visual narrative, which is rigorous and creative, based on nosologies and epistemes belonging to experience and black thought, and working with methodologies of Black Studies that are still non-existent in the country today. All, over time, to build a specific story of Iberian blackness, always connected to the Black Atlantic and with a strong protagonism of its diaspora throughout history. This recognition of a shared path with black people in Spain will enable the complexity of the relationships with and between blackness to be dealt with, in addition to re-evaluation of its contribution to black thought in modern day society.

In order to cover multiple realities, the Black Spain project, coordinated by Africa Radio, builds its structure of work on a network of museums in different regions of the country in the years 2022, 2023 and 2024. IVAM will accompany the research in the Valencian Community and Murcia.

Curated by Juan José LaHuerta

CollectionExhibitionIVAM Centre Julio González

The historian and art and architecture critic, Juan José Lahuerta, will be the specialist in charge of reviewing the Julio González resources from the IVAM Collection to cast new light on this great artist’s work, moving away from certain myths about his life and his works that have persisted since the middle of the last century.

As the curator has said: “You just need to take a look at the books and manuals that have been used to write the history of modern art since the 1930s – largely through the exhibitions that the MoMA systematically assigned to the vanguards, designed to build a history organised in clearly established categories and strict genealogies -, and the consequences of this process in 1950s ‘triumphant’ New York. This meant the decontextualization of the European vanguards of the 1920s and 30s, subjected to an exclusively formalist judgement which has a single redemptive purpose: abstraction to which, necessarily, modern art tends towards in its culmination”.

According to Juan José Lahuerta, the work of Julio González falls victim to the historiographical construction of modern art and of the vanguards – or the Modern movement -, which is projected throughout his work, deforming it from the vantage point, firstly, of its supposedly (more) abstract era and, secondly, from its recovery in the 1950s, when the history of modern art was reviewed in terms of decontextualization, formalism and a command of the abstract. The life of Julio González and the supposed periods or stages of his work are written as a statement on these topics.

Hence, this new presentation of his work will be based on a study of the collection without the prejudice of operational history: forgetting González to discover its complexity, as a piece of art and as a collection. Considering all of the “stages”, all of the “themes” and all of the “arts” as equal, in the contexts given to us by the extraordinary archive materials (documents, photographs, etc.), and the history of their eras.

Videos

OthersIVAM Centre Julio González

Can you imagine reading reviews of the must-read books of this summer, asking friends for recommendations and/or loans of books, looking on the shelves for the suggested novels, reviewing essays pending on the internet…We would also like to recommend some good reads to you, texts that we think are worth rescuing from last year, others that are easy-reading, in case you want to visit the exhibitions, or literature published about them.

Presentation seminar of IVAM's 2022-2023 education program

EducationalIVAM Centre Julio González

During the month of September, IVAM launches its education program with a whole host of proposals for all audiences. With new projects linked to the museum’s exhibition program, mediations, projects throughout the country, and also with proposals that are consolidated and enriched with new editions, in an expanding learning laboratory.

The program for the 2022-2023 academic year includes in-person and online activities, but also in a mixed format, which includes different audiences and contexts within the framework of the museums areas of educational activity.

We want to share the launch of IVAM’s school year with teaching staff, families, mediation professionals and people interested in general. That’s why we invite you to discover some of the museum’s new educational projects and delve into shared methodologies and ideas on September 8th, at 11.00.

We’re waiting for you!

Program of the day

  • 11 a.m. Presentation of the educational program of the IVAM 2022-2023.

By Sonia Martínez, deputy director, and the IVAM education team.

  • 11:45 a.m. Coffee break active

Time for questions, comments and doubts between the attendees and the IVAM mediation teams. Delivery and exchange of specialized IVAM publications.

  • 12:15 p.m. Presentation of the project + Moguda! The library for IVAM teachers

Free creation of IVAM library cards for interested teachers and assistants

  • 12:30 p.m. We activate the Moguda with Fani Gran.

Reading animation action within the framework of + Moguda! The library for IVAM teachers.

  • 1:15 p.m. Let’s reread the IVAM collection together.

Parallel drifts through the museum’s exhibitions at the hand of the IVAM mediation team.

No prior registration. Punctuality is requested
+ info: educacio@ivam.es

CERTIFICATES: The IVAM will issue certificates of attendance to interested persons.

Download the program:

View on a PC.

View on a cell phone.

Conferences, chats, performances...

OthersIVAM Centre Julio González

Programa d’Art i Context (Art and Context Program)

Art i ContextConversationsIVAM Centre Julio González

Soft and furry: exchanges in the museum environment is a day event within the Art and Context Program framework that invites us to rethink the idea of the museum and its spaces during the second decade of the 21st century, its uses, dynamics and poetics from an architectural and design point of view. The activity takes its inspiration from a reference that Salvador Dali made in his book, Los cornudos del viejo arte moderno (The Cheating of Old Modern Art) (1956) to a conversation (real or fictitious, does it matter?) that he had with Le Corbusier about his premonitory postmodern view of architectural reality. The event invites us to question the devices that make up the hegemonic reality of the institution which hosts the event and, in this way, be part of the process and the development of suggestions from the Program’s artists in relation to their final exhibition, which will take place at the IVAM. The exchange of ideas will be moderated by Marina Povedano Revilla with participation from Miguel Leiro, TAKK and Pablo Bolumar.

Marina Povedano Revilla (Castelló de la Plana, 1989) is a graduate in Philosophy (University of Barcelona), Architecture (Polytechnic University of Catalonia), and a Master of Science in Critical, Curatorial and Conceptual Practices from GSAPP- Columbia University, New York. She is a curator and lecturer in the Theory of Architecture at the ETSAB-UPC (Barcelona School of Architecture). She was a curatorial assistant at the Guggenheim Museum in New York, she took part as a curatorial researcher in the Mexican Pavilion at the 2018 Venice Biennial and is currently a curator at MiAS Architects, where she curated her recent exhibition at the Pompidou Centre in Paris.
https://cargocollective.com/marinapovedano

Miguel Leiro (Santiago de Compostela, 1994) is a product designer and commissioner. He graduated in Industrial Design at the Pratt Institute (New York) and was awarded the Spanish Royal Academy Prize in Rome (2017). Leiro currently lives and works in Madrid. His work investigates the limits of the design process and its effects on the objects that surround us. In 2020 he founded Office of Design, a cultural agency dedicated to the advancement of the cultural practice and production of design. From the Office of Design, he leads on platforms such as MAYRIT Bienal, a design and architecture biennial specializing in young and experimental design.
https://migueleiro.com
https://officeofdesign.net/

TAKK is an architectural production space that is shared by Mireia Luzárraga (Madrid, 1981) and Alejandro Muiño (Barcelona, 1983) who work within the intersection between architecture, politics, nature and gender. Their projects, many of which are ephemeral, invite critical thinking both of the materials or techniques used and of the inclusion of challenges that society can bring about. Thus, in some of their projects one can observe the inclusion of technology or questions such as the relationship between species or climate change. Since its foundation in 2010, they have developed projects for companies and institutions such as Vitra, FRAC Centre-Val de Loire, CA2M and Swatch.
www.takk-architecture.com

Pablo Bolumar (Valencia, 1996) is an industrial designer specializing in dark lighting and site-specific installations. He studied Industrial Design Engineering at the Polytechnic University of Valencia, Product Design at Middlesex University, London and did his Masters in Geo-Design at the Design Academy in Eindhoven. His work centers around the transformation of materials into functional art pieces through assembly and small scale processes. His current research centers on the ecology of materials and global processes such as light contamination.
https://pablobolumar.com

Group of tours and lessons through IVAM's exhibitions

EducationalIVAM Centre Julio González

Els grans de l’IVAM aims to create a stable group of senior visitors (older than 55) who are interested in expanding their knowledge about the history of contemporary art, artistic creation and museums with the desire to keep growing and sharing their own knowledge and wisdom. The goal of the main project is to turn the museum into a space where experiences can be shared and new ones can be acquired. In an exercise of constant listening and contemplation, broadcasting and questioning, the IVAM exhibition program and the museum space itself will become the trigger for mutual experiences and education throughout the project thanks to the accompaniment of the museum’s mediation team. The program will include visits to the current exhibitions of the IVAM Centre Julio González, IVAM Alcoi and IVAM al territorio.

Dates:
September 27
October 4, 18 and 25
November 8, 15, 22 and 29
December 13 and 20, 2022

Genealogy of domestic labour and care

ExhibitionIVAM Centre Julio González

In a house, the project by Alba Herrero (València, 1986) and Ana Peñas (València, 1987) was conceived specifically for Gallery 3 at IVAM. It introduces the hybrid nature between the graphic narrative and social research and focuses on housework and domestic work, carried out away from one’s own home, in the privacy of someone else’s home, whether or not this is part of the formal or informal economy. This is a feminised and insecure type of work, where the social construct of its responsibility is mirrored as an inherently female matter. Despite the centrality of this work to the sustainability of life, historically, it has been invisible and displaced within areas such as economics and politics, which today leads us to collectively ask, how do we look after homes and how would we like to do so?

The imaginary stereotypes and ways of naming this work have changed throughout history according to political and cultural changes: from domestic service linked to the rural exodus during the Francoist dictatorship under the nationalist-Catholicism model, to the origin of the current domestic workers and their relationship with the global links in domestic work. The approach to these practices has varied, becoming more complex as the feminist stance has also made it so and the collective organisation of the sector’s workers has advanced.

In a house proposes a review of the personal and the political. From archive materials and the life experiences of women, domestic workers of different ages and backgrounds. It is mostly about domestic work, but also about the employers. The event covers the temporal, spatial and social changes linked to this work. By doing so, it emphasises the social inequalities that occur within these processes. Through different formats – an exhibition, a publication and various public activities – an open re-reading of the family and domestic work models is proposed, the trajectories of collective mobilisation for the recognition of dignified rights and work conditions and the motivations and living expectations of those doing this type of work and those receiving it. In short, this is about the social organisation of domestic work.

With the support of:

Videos

Artist books

ExhibitionLibraryIVAM Centre Julio González

Dieter Roth (Hanover, Germany, 1930 – Basle, Switzerland, 1998) created books in the certainty that this was the most accurate medium through which to display his encyclopaedic knowledge, his aesthetic transversal interests. He began working on the editorial project Gesammelte Werke [Collection of works] in 1969 with the editor and printer Hänsjorg Mayer. From that time, Roth had the opportunity to re-edit art books that he had created manually and which, up to that time, had had very short print runs, as well as to plan a collection of forty volumes which were not published in any particular order. The collection is viewed as the ‘reasoned catalogue’ of an artist that is difficult to define and who decided to write his trajectory with the same freedom as he produced his unclassifiable works or the degradable organic materials in his books.

For the first time, a very significant number of publications by Roth pertaining to his Collection of works are being displayed. IVAM has number 17 from volumes 1-20, as well as numbers 37, 38, 39 and 40. Additionally, other publications are displayed which distil some of the author’s own characteristics, such as photocopied material, home notebooks, and poetic motives that link the pairing of art and life and expand it until it becomes a being in its own right. If the books can make permanent the fleeting gaze of time and history, in this case, it will occur despite him, through his role as an artist whose works included material about mortality and degradation. However, records of his intense life have not survived.

Álvaro de los Ángeles