{"id":63576,"date":"2022-05-27T17:47:48","date_gmt":"2022-05-27T15:47:48","guid":{"rendered":"\/?post_type=presentes&p=63576"},"modified":"2022-05-27T17:47:49","modified_gmt":"2022-05-27T15:47:49","slug":"xoan-xil-lopez-la-escucha-multiple","status":"publish","type":"presentes","link":"https:\/\/ivam.es\/es\/presentes\/xoan-xil-lopez-la-escucha-multiple\/","title":{"rendered":"XO\u00c1N-XIL L\u00d3PEZ: \u201cLA ESCUCHA M\u00daLTIPLE\u201d"},"content":{"rendered":"\n

XO\u00c1N-XIL L\u00d3PEZ: \u201cLA ESCUCHA M\u00daLTIPLE\u201d<\/h1>\n\n\n\n

Revista Quintana n.\u00ba 8, 2009.<\/h3>\n\n\n\n
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Muchos de los esfuerzos realizados en los \u00faltimos a\u00f1os desde la reflexi\u00f3n y la pr\u00e1ctica sonora han mostrado especial inter\u00e9s por la distancia que existe entre el escuchar y la escucha, cuestionando, de este modo, la idea de una percepci\u00f3n neutra, \u00fanica. Su intenci\u00f3n es estudiar el proceso por el que los sonidos adquieren diferentes significados (ya sea individual, hist\u00f3rica, social o culturalmente) para comprender, en definitiva, c\u00f3mo intervienen en la configuraci\u00f3n de nuestra realidad cotidiana y c\u00f3mo nos relacionamos con ellos.<\/p>\n\n\n\n

Esta preocupaci\u00f3n ha dado lugar a la apertura de nuevos espacios de trabajo que, con mayor o menor precisi\u00f3n, parecen confluir bajo el inter\u00e9s multidisciplinar del paisaje sonoro, al tiempo que surge la necesidad de replantearse, desde el \u2018t\u00edmpano\u2019, las bases epistemol\u00f3gicas de disciplinas como la antropolog\u00eda (Steven Feld) o la historia (Alain Corbin), trazando as\u00ed nuevas genealog\u00edas de lo sonoro.<\/p>\n\n\n\n

(Foto: Pablo Vera)<\/p>\n\n\n\n

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\u00a0La escucha m\u00faltiple<\/strong><\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n","protected":false},"featured_media":63575,"template":"","tag_presentes":[342],"places":[],"cat_presentes":[343],"class_list":["post-63576","presentes","type-presentes","status-publish","has-post-thumbnail","hentry","tag_presentes-texto-es","cat_presentes-fonoceno-es"],"yoast_head":"\nXO\u00c1N-XIL L\u00d3PEZ: \u201cLA ESCUCHA M\u00daLTIPLE\u201d - IVAM<\/title>\n<meta name=\"robots\" content=\"noindex, follow\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"XO\u00c1N-XIL L\u00d3PEZ: \u201cLA ESCUCHA M\u00daLTIPLE\u201d - IVAM\" \/>\n<meta property=\"og:description\" content=\"XO\u00c1N-XIL L\u00d3PEZ: \u201cLA ESCUCHA M\u00daLTIPLE\u201d Revista Quintana n.\u00ba 8, 2009. Muchos de los esfuerzos realizados en los \u00faltimos a\u00f1os desde la reflexi\u00f3n y la pr\u00e1ctica sonora han mostrado especial inter\u00e9s por la distancia que existe entre el escuchar y la escucha, cuestionando, de este modo, la idea de una percepci\u00f3n neutra, \u00fanica. 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