{"id":63564,"date":"2022-05-27T17:27:09","date_gmt":"2022-05-27T15:27:09","guid":{"rendered":"\/?post_type=presentes&#038;p=63564"},"modified":"2022-05-27T17:27:09","modified_gmt":"2022-05-27T15:27:09","slug":"hildegard-westerkamp-soundwalking-paseo-sonoro","status":"publish","type":"presentes","link":"https:\/\/ivam.es\/es\/presentes\/hildegard-westerkamp-soundwalking-paseo-sonoro\/","title":{"rendered":"HILDEGARD WESTERKAMP: \u201cSOUNDWALKING\u201d (\u201cPASEO SONORO\u201d)"},"content":{"rendered":"\n<h1 class=\"text-left\">HILDEGARD WESTERKAMP: \u201cSOUNDWALKING\u201d (\u201cPASEO SONORO\u201d)<\/h1>\n\n\n\n<h3 class=\"text-left\">Originalmente publicado en: Sound Heritage, III\u20134, Victoria BC, 1974. En 2007 fue incluido en Angus Carlyle (ed.), Autumn Leaves. Sound and the Environment in Artistic Practice, Double Entendre, Paris, 2007. Traducci\u00f3n: Kamen Nedev.<\/h3>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group alignfull has-background\" style=\"background-color:#f5f5f5\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><a href=\"\/wp-content\/uploads\/presentes\/borrador-automatico\/Paseo-sonoro_Post-55.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"\/wp-content\/uploads\/presentes\/borrador-automatico\/Paseo-sonoro_Post-55-1024x768.jpg\" alt=\"\" class=\"wp-image-63565\" srcset=\"https:\/\/ivam.es\/wp-content\/uploads\/presentes\/borrador-automatico\/Paseo-sonoro_Post-55-1024x768.jpg 1024w, https:\/\/ivam.es\/wp-content\/uploads\/presentes\/borrador-automatico\/Paseo-sonoro_Post-55-300x225.jpg 300w, https:\/\/ivam.es\/wp-content\/uploads\/presentes\/borrador-automatico\/Paseo-sonoro_Post-55-768x576.jpg 768w, https:\/\/ivam.es\/wp-content\/uploads\/presentes\/borrador-automatico\/Paseo-sonoro_Post-55-280x210.jpg 280w, https:\/\/ivam.es\/wp-content\/uploads\/presentes\/borrador-automatico\/Paseo-sonoro_Post-55-467x350.jpg 467w, https:\/\/ivam.es\/wp-content\/uploads\/presentes\/borrador-automatico\/Paseo-sonoro_Post-55-231x173.jpg 231w, https:\/\/ivam.es\/wp-content\/uploads\/presentes\/borrador-automatico\/Paseo-sonoro_Post-55-500x375.jpg 500w, https:\/\/ivam.es\/wp-content\/uploads\/presentes\/borrador-automatico\/Paseo-sonoro_Post-55.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<p>Publicado por primera vez en 1974, el ensayo <em>Soundwalking<\/em> de Hildegard Westerkamp se ha convertido en una especie de piedra angular de las pr\u00e1cticas deambulatorias sonoras, sin dejar de ser un temprano indicador de sus inquietudes como compositora y artista sonora. Vinculada al World Soundscape Project de Murray Schafer en la Simon Fraser University, el trabajo de Westerkamp pronto se distingui\u00f3 del de su predecesor, al estar siempre buscando contrastar la teor\u00eda con la pr\u00e1ctica, y al estar vinculada a la investigaci\u00f3n sobre el terreno.<\/p>\n\n\n\n<p>Este texto es un ensayo tan descriptivo como prescriptivo: es tanto una definici\u00f3n de lo que puede ser un paseo sonoro, como un registro documental de paseos sonoros ya realizados; bien una partitura para posibles paseos sonoros por venir como, a la vez, un texto de indudable car\u00e1cter po\u00e9tico.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-is-wide\"><a class=\"wp-block-button__link has-yellow-background-color has-background no-border-radius\" href=\"https:\/\/www.dropbox.com\/s\/wn1lt8rmm3prgz8\/Hildegard_Westerkamp_Soundwalking_ES-ES.pdf?dl=0\"><strong>El paseo sonoro<\/strong><\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n","protected":false},"featured_media":63565,"template":"","tag_presentes":[342],"places":[],"cat_presentes":[343],"class_list":["post-63564","presentes","type-presentes","status-publish","has-post-thumbnail","hentry","tag_presentes-texto-es","cat_presentes-fonoceno-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>HILDEGARD WESTERKAMP: \u201cSOUNDWALKING\u201d (\u201cPASEO SONORO\u201d) - IVAM<\/title>\n<meta name=\"robots\" content=\"noindex, follow\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"HILDEGARD WESTERKAMP: \u201cSOUNDWALKING\u201d (\u201cPASEO SONORO\u201d) - IVAM\" \/>\n<meta property=\"og:description\" content=\"HILDEGARD WESTERKAMP: \u201cSOUNDWALKING\u201d (\u201cPASEO SONORO\u201d) Originalmente publicado en: Sound Heritage, III\u20134, Victoria BC, 1974. 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