{"id":63820,"date":"2022-06-08T10:17:14","date_gmt":"2022-06-08T08:17:14","guid":{"rendered":"\/?page_id=63820"},"modified":"2022-09-30T14:19:46","modified_gmt":"2022-09-30T12:19:46","slug":"articulations-ivam-uv-upv-study-programme","status":"publish","type":"page","link":"https:\/\/ivam.es\/en\/articulations-ivam-uv-upv-study-programme\/","title":{"rendered":"Articulations – IVAM \u00b7 UV \u00b7 UPV study programme"},"content":{"rendered":"

First edition from 6 October 2022 to 30 June 2023<\/strong><\/p>\n

Contemporary art is in constant friction with other areas of knowledge and cultural practices, questions of social interest and public space. These vertices converge in particular on a \u201cmetabolic museum\u201d of the kind the IVAM hopes to propitiate: an institution traversed by crisis \u2013 economic, cultural and ethical \u2013 and transformation, a museum formed by a series of organs constituting a body that feeds off friction with other bodies in circulation. This is the spirit which inspires ARTICULATIONS<\/strong>, a programme created on the basis of two academic certifications: the first held during the first four-month term in collaboration with the Universitat de Val\u00e8ncia, and the other in the second four-month term in collaboration with the Universitat Polit\u00e9cnica de Valencia.<\/p>\n

As an international programme, although anchored in a specific territory, it aims to generate a learning context from which to confront the urgencies and uncertainties of a globally wounded present that requires new working methods and ways of inhabiting the world. The programme attaches importance to collaborative work precisely with the goal of learning from the people around us, developing ideas and giving shape to new forms of knowledge. Post-Identitarian feminisms, popular and decolonial practices, processes of globalisation and virtuality, speculative and collective narratives and the care of the planet are the frameworks defining the organisation of the four modules of the programme: Contemporary metabolic practices, Ruptures and remediations of discourse, Walking with the head, thinking with the feet<\/em> and lastly a Final project<\/em>.<\/p>\n

Students who join the programme will form part of a heterodox institutional project focused on careful attention to processes of creation and thought besides results. In short, it will consist of a \u201cdoing with\u201d a community of students, teachers with different academic backgrounds and professionals from the sector, from a variety of geographical areas, whose practices critically and incisively mould how contemporary art is understood, rehearsed and thought in its different expressions.<\/p>\n

In this way, participants will acquire transdisciplinary critical skills that will allow them to analyse, design and create cultural projects of various types, both individually and collectively. The final projects of the programme will materialise at the IVAM and associate organisations, offering the chance to conduct a real programming practice.<\/p>\n

MODULES<\/u><\/strong><\/p>\n

Contemporary metabolic practices<\/strong><\/p>\n

Through an immersion in the museum and contact with other social organisations, together with the practical knowledge of their professionals in the form of lectures, laboratories and workshops, the programme will develop a complex and critical vision of the changing artistic ecology operating both in the art centre and on the margins of the art systems, together with frictions and contaminations with other social spheres and contemporary political struggles. These metabolic practices will serve as a bridge between the museum and academe, but also between the institutions and reality, with the aim of combining the two theoretical and practical certifications.<\/p>\n

Ruptures and remediations of discourse<\/strong><\/p>\n

Through talks, lectures, seminars and workshops, participants in the programme will be involved in a learning process that will open new paths for an understanding of the histories of art and its contexts, the genealogies of its cultural players, and the problems and disagreements affecting its production, organisation and classification.<\/p>\n

Walking with the head, thinking with the feet<\/strong><\/p>\n

In this case, it will be the practical sessions that allow us to \u201cdigest\u201d theoretical approaches with cultural practices of various kinds, both singular and plural. Together with the teaching staff, participants will thus produce an extended writing project in the first four-month term and a collective project in the second based on the knowledge shared previously within the framework of the programme (theoretical, practical and critical knowledge, management, mediation, artistic production, research, etc.). This heterodox experience, attentive to the context of art and its creative methodologies, will help to broaden the roles, tools and spaces that define what we call the contemporary.<\/p>\n

ACADEMIC STAFF<\/u><\/strong><\/p>\n

Contemporary metabolic practices<\/strong><\/p>\n

IVAM: Tania Adam (journalist and cultural producer); Laura Ben\u00edtez (researcher); Silvia Bottiroli (curator specialising in performance); Cooking Sections (artists); Joven de la Perla (artist); Isabel de Naver\u00e1n (artist and writer); Yinka Esi Graves (flamenco dancer); Elvira Espejo Ayca (weaver, orator and director of the MUSEF); Radicantes (Mireia Ferrer, Roc\u00edo P\u00e9rez and Tatiana Clavel, caretakers of dance and other species); Diana Guijarro (curator), Alba Herrero (anthropologist); Yuk Hui (philosopher); Paco Incl\u00e1n (writer and polyglot); Juan Jos\u00e9 Lahuerta (architect and director of the Gaud\u00ed Chair at the Universitat Polit\u00e8cnica de Catalunya); Teresa Lanceta (artist); Programa d’Art i Context (Ali A. Maderuelo and Julia Castell\u00f3, curators); Irene Ll\u00e0cer (educator and programmer of the IVAM); Nicolas Malev\u00e9 (artist and software activist); Raquel Manchado (artist and collector); Ana Penyas (illustrator); Suely Rolnik (psychoanalyst); Pedro G. Romero (artist); Carles \u00c0. Saur\u00ed (curator and director of the Espai d\u2019Art Contemporani de Castell\u00f3); Clara Solbes (art historian specialising in gender studies); Dani Zelko (poet), ; Mar\u00eda Puig de la Bellacasa (researcher), Cl\u00e9mentine Deliss (curator) y Conflu\u00e8ncies (Eva Bravo, arqueologist).<\/p>\n

Ruptures and remediations of discourse<\/strong><\/p>\n

Universitat de Val\u00e8ncia:\u00a0Salom\u00e9 Carvajal (researcher in training, University Institute of Women\u2019s Studies), Mireia Ferrer \u00c1lvarez (lecturer in History of Art, Faculty of Geography and History); Anacleto Ferrer Mas (professor of Aesthetics and Art Theory, Faculty of Philosophy); Hasan G. L\u00f3pez (lecturer in Aesthetics and Art Theory, Faculty of Philosophy); Carmen Melo (lecturer in Human Geography, Faculty of Geography); Eva Momp\u00f3 L\u00f3pez (lecturer in Education and School Organisation, Faculty of Education Sciences); Jaume Peris (lecturer in Spanish Literature, Faculty of Philology and Communication Sciences); Vicente S\u00e1nchez Biosca (professor of Audiovisual Communication and Advertising, Faculty of Philology and Communication Sciences); Nicol\u00e1s S\u00e1nchez Dur\u00e1 (professor of Metaphysics, Faculty of Philosophy); Teresa Vicente Rabanaque (lecturer in Social and Cultural Anthropology, Faculty of Social Sciences); Vanesa Vidal (lecturer in Aesthetics and Art Theory, Faculty of Philosophy); Luis Vives-Ferr\u00e1ndiz S\u00e1nchez (lecturer in History of Art, Faculty of Geography and History).<\/p>\n

Universitat Polit\u00e9cnica de Val\u00e8ncia: Juan Vicente Aliaga (lecturer in gender, sexuality and politics in contemporary artistic practices, Faculty of Fine Arts); Eva \u00c1lvarez (lecturer in the Department of Architectural Projects of the UPV); David Barber\u00e0 (lecturer in innovation and technology management at the Higher Technical College of Industrial Engineering); Carlos G\u00f3mez (lecturer of the Department of Architectural Projects of the UPV); Mijo Miquel (lecturer in Visual Theory and Practices in the Contemporary City, Faculty of Fine Arts); Marina Pastor (director of the Department of Sculpture, Faculty of Fine Arts); and Guillermo Ros (lecturer in sculpture at Faculty of Fine Arts).<\/p>\n

Walking with the head, thinking with the feet<\/strong><\/p>\n

Migue Mart\u00ednez Garc\u00eda (researcher); Societat Doctor Alonso (Sof\u00eda Asencio and Tom\u00e1s Aragay, dramatists and performers), Taller Placer (Paula Miralles, Vicente Arlandis, artists) and Laura Vall\u00e9s V\u00edlchez (curator, teacher of the Royal College of Arts and director of Concreta).<\/p>\n

Final project<\/strong><\/p>\n

Nuria Enguita and Sonia Mart\u00ednez (director and assistant director of the IVAM), Hasan G. L\u00f3pez (UV), Eva \u00c1lvarez and Carlos Jos\u00e9 G\u00f3mez Alfonso (UPV), Sof\u00eda Asencio, Tom\u00e1s Aragay, Paula Miralles, Vicente Arlandis, Migue Mart\u00ednez Garc\u00eda and Laura Vall\u00e9s V\u00edlchez (teachers on the module Walking with the head, thinking with the feet<\/em>).<\/p>\n

DOWNLOAD THE PROGRAMME HERE<\/strong><\/p>\n

QUALIFICATIONS:<\/strong> UV Certificate of Continuous Training (30 ECTS) + UPV Diploma of University Extension (30 ECTS).<\/p>\n

DATES:<\/strong> 06.10.22 \u2013 30.06.23
\nThe study programme is designed to be followed jointly and consecutively at the IVAM. Each university will certify one four-month term. In the admission process, a favourable assessment will be given to those who express a desire to enrol for both certificates.<\/p>\n

REQUIREMENTS:<\/strong> Interest in contemporary artistic practices, critical thought, aesthetics and histories of art.
\nNo prior qualifications are required.<\/p>\n

MODALITY:<\/strong> Presential.<\/p>\n

TIMETABLE<\/strong>: Mornings (Wednesday to Friday. In some weeks, there may be sessions on Monday and Tuesday).*
\n* Possibility of optional complementary programming at the museum and associate organisations at other times.<\/p>\n

PLACE:<\/strong> IVAM.
\nSome sessions may be held at the universities and other collaborating venues.<\/p>\n

SELECTION PROCESS:<\/strong> Send a personal statement of interest (maximum one page) and\/or a presentation video (maximum two minutes) to: Coord_ext_articulacions@ivam.es<\/p>\n","protected":false},"excerpt":{"rendered":"

First edition from 6 October 2022 to 30 June 2023 Contemporary art is in constant friction with other areas of knowledge and cultural practices, questions of social interest and public space. These vertices converge in particular on a \u201cmetabolic museum\u201d of the kind the IVAM hopes to propitiate: an institution traversed by crisis \u2013 economic, […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":124,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-63820","page","type-page","status-publish","hentry"],"yoast_head":"\nArticulations - IVAM \u00b7 UV \u00b7 UPV study programme - IVAM<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ivam.es\/en\/articulations-ivam-uv-upv-study-programme\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Articulations - IVAM \u00b7 UV \u00b7 UPV study programme - IVAM\" \/>\n<meta property=\"og:description\" content=\"First edition from 6 October 2022 to 30 June 2023 Contemporary art is in constant friction with other areas of knowledge and cultural practices, questions of social interest and public space. These vertices converge in particular on a \u201cmetabolic museum\u201d of the kind the IVAM hopes to propitiate: an institution traversed by crisis \u2013 economic, […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/ivam.es\/en\/articulations-ivam-uv-upv-study-programme\/\" \/>\n<meta property=\"og:site_name\" content=\"IVAM\" \/>\n<meta property=\"article:modified_time\" content=\"2022-09-30T12:19:46+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/ivam.es\/en\/articulations-ivam-uv-upv-study-programme\/\",\"url\":\"https:\/\/ivam.es\/en\/articulations-ivam-uv-upv-study-programme\/\",\"name\":\"Articulations - IVAM \u00b7 UV \u00b7 UPV study programme - IVAM\",\"isPartOf\":{\"@id\":\"https:\/\/ivam.es\/en\/#website\"},\"datePublished\":\"2022-06-08T08:17:14+00:00\",\"dateModified\":\"2022-09-30T12:19:46+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/ivam.es\/en\/articulations-ivam-uv-upv-study-programme\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/ivam.es\/en\/articulations-ivam-uv-upv-study-programme\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/ivam.es\/en\/articulations-ivam-uv-upv-study-programme\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/ivam.es\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Articulations – IVAM \u00b7 UV \u00b7 UPV study programme\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/ivam.es\/en\/#website\",\"url\":\"https:\/\/ivam.es\/en\/\",\"name\":\"IVAM\",\"description\":\"Institut Valenci\u00e0 d'Art Modern\",\"publisher\":{\"@id\":\"https:\/\/ivam.es\/en\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/ivam.es\/en\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/ivam.es\/en\/#organization\",\"name\":\"IVAM\",\"url\":\"https:\/\/ivam.es\/en\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/ivam.es\/en\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/ivam.es\/wp-content\/uploads\/logo-ok-512.png\",\"contentUrl\":\"https:\/\/ivam.es\/wp-content\/uploads\/logo-ok-512.png\",\"width\":512,\"height\":512,\"caption\":\"IVAM\"},\"image\":{\"@id\":\"https:\/\/ivam.es\/en\/#\/schema\/logo\/image\/\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Articulations - IVAM \u00b7 UV \u00b7 UPV study programme - IVAM","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/ivam.es\/en\/articulations-ivam-uv-upv-study-programme\/","og_locale":"en_US","og_type":"article","og_title":"Articulations - IVAM \u00b7 UV \u00b7 UPV study programme - IVAM","og_description":"First edition from 6 October 2022 to 30 June 2023 Contemporary art is in constant friction with other areas of knowledge and cultural practices, questions of social interest and public space. 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