{"id":46108,"date":"2020-06-02T12:47:04","date_gmt":"2020-06-02T10:47:04","guid":{"rendered":"\/?page_id=46108"},"modified":"2020-06-02T13:37:22","modified_gmt":"2020-06-02T11:37:22","slug":"valerio-adami","status":"publish","type":"page","link":"https:\/\/ivam.es\/en\/valerio-adami\/","title":{"rendered":"VALERIO ADAMI"},"content":{"rendered":"<p><a href=\"\/wp-content\/uploads\/page\/valerio-adami\/VALERIO-ADAMI.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-46010\" src=\"\/wp-content\/uploads\/page\/valerio-adami\/VALERIO-ADAMI-300x147.jpg\" alt=\"Valerio Adami \/ Plein Air N.Y., 1968\" width=\"1227\" height=\"600\" srcset=\"https:\/\/ivam.es\/wp-content\/uploads\/page\/valerio-adami\/VALERIO-ADAMI-300x147.jpg 300w, https:\/\/ivam.es\/wp-content\/uploads\/page\/valerio-adami\/VALERIO-ADAMI-1024x501.jpg 1024w, https:\/\/ivam.es\/wp-content\/uploads\/page\/valerio-adami\/VALERIO-ADAMI-768x376.jpg 768w, https:\/\/ivam.es\/wp-content\/uploads\/page\/valerio-adami\/VALERIO-ADAMI-280x137.jpg 280w, https:\/\/ivam.es\/wp-content\/uploads\/page\/valerio-adami\/VALERIO-ADAMI-467x228.jpg 467w, https:\/\/ivam.es\/wp-content\/uploads\/page\/valerio-adami\/VALERIO-ADAMI-231x113.jpg 231w, https:\/\/ivam.es\/wp-content\/uploads\/page\/valerio-adami\/VALERIO-ADAMI-500x245.jpg 500w, https:\/\/ivam.es\/wp-content\/uploads\/page\/valerio-adami\/VALERIO-ADAMI.jpg 1417w\" sizes=\"auto, (max-width: 1227px) 100vw, 1227px\" \/><\/a><\/p>\n<h4>Plein Air N.Y., 1968<br \/>\nAcrylic on canvas<br \/>\n243.5 \u00d7 493.5 cm (triptych, total dimensions)<\/h4>\n<p>&nbsp;<\/p>\n<p><strong>Valerio Adami (Bologna, 1935)<\/strong><\/p>\n<p>This work by Valerio Adami, a landscape deserted of human life in New York City at the end of the 1960s, reminds us of the unusual images shown in the media during the last weeks of strict lockdown at home. They showed emblematic public spaces in different towns and cities, usually crowded, taking on a so far unknown different dimension, without human presence. And they also questioned our life and development model.<\/p>\n<p>Adami is not only heir to the rich Italian pictorial tradition, from the pre-Renaissance to Giorgio de Chirico and his so-called \u2018metaphysical\u2019 landscapes of architectures equally deserted of human presence; he is also a free spirit within the so-called Pop Art movement, which spread widely both in the US and in Europe from the end of the fifties of the last century, reaching its peak a decade later.<\/p>\n<p>Adami takes on some characteristics of pop language, clearly visible in this work, <em>Plein Air NY<\/em>, such as the figures silhouetted by emphatic black lines and the flat, fresh and contrasting colours in a style very close to the ligne claire comic. However, it is nonetheless true that his work denotes as much concern for the formal as for the intellectual, and references to poetry, literature, philosophy or history, in the form of letters, are constant in a large part of his production.<\/p>\n<p>We may recall here the words of the professor and researcher Carmen Bern\u00e1rdez Sanch\u00eds (1954-2018): \u201cAdami remains faithful to the concept that Renaissance artists had of drawing: to be both the quintessential anatomy (of any object, figure or landscape), and the graphic manifestation of thought.\u201d<\/p>\n<h4>Marta Arroyo Planelles<br \/>\nCurator<\/h4>\n","protected":false},"excerpt":{"rendered":"<p>Plein Air N.Y., 1968 Acrylic on canvas 243.5 \u00d7 493.5 cm (triptych, total dimensions) &nbsp; Valerio Adami (Bologna, 1935) This work by Valerio Adami, a landscape deserted of human life in New York City at the end of the 1960s, reminds us of the unusual images shown in the media during the last weeks of [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":234,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-46108","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>VALERIO ADAMI - IVAM<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ivam.es\/en\/valerio-adami\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"VALERIO ADAMI - IVAM\" \/>\n<meta property=\"og:description\" content=\"Plein Air N.Y., 1968 Acrylic on canvas 243.5 \u00d7 493.5 cm (triptych, total dimensions) &nbsp; 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