{"id":45469,"date":"2020-04-29T08:29:05","date_gmt":"2020-04-29T06:29:05","guid":{"rendered":"\/?page_id=45469"},"modified":"2020-04-29T08:30:14","modified_gmt":"2020-04-29T06:30:14","slug":"gillian-wearing","status":"publish","type":"page","link":"https:\/\/ivam.es\/en\/gillian-wearing\/","title":{"rendered":"GILLIAN WEARING"},"content":{"rendered":"<p><a href=\"\/wp-content\/uploads\/page\/gillian-wearing\/Gillian-Wearing.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-45325 size-full\" src=\"\/wp-content\/uploads\/page\/gillian-wearing\/Gillian-Wearing.jpg\" alt=\"Gillian Wearing \/ Rock\u00b4n\u00b4Roll 70, 2015 Edici\u00f3n 2\/6 (+ 2 AP)\" width=\"992\" height=\"558\" srcset=\"https:\/\/ivam.es\/wp-content\/uploads\/page\/gillian-wearing\/Gillian-Wearing.jpg 992w, https:\/\/ivam.es\/wp-content\/uploads\/page\/gillian-wearing\/Gillian-Wearing-300x169.jpg 300w, https:\/\/ivam.es\/wp-content\/uploads\/page\/gillian-wearing\/Gillian-Wearing-768x432.jpg 768w, https:\/\/ivam.es\/wp-content\/uploads\/page\/gillian-wearing\/Gillian-Wearing-800x450.jpg 800w, https:\/\/ivam.es\/wp-content\/uploads\/page\/gillian-wearing\/Gillian-Wearing-280x158.jpg 280w, https:\/\/ivam.es\/wp-content\/uploads\/page\/gillian-wearing\/Gillian-Wearing-467x263.jpg 467w, https:\/\/ivam.es\/wp-content\/uploads\/page\/gillian-wearing\/Gillian-Wearing-231x130.jpg 231w, https:\/\/ivam.es\/wp-content\/uploads\/page\/gillian-wearing\/Gillian-Wearing-500x281.jpg 500w\" sizes=\"auto, (max-width: 992px) 100vw, 992px\" \/><\/a><\/p>\n<h4>Rock\u00b4n\u00b4Roll 70, 2015<br \/>\nEdition 2\/6 (+ 2 AP)<br \/>\nChromogenic process (C-type prints) on paper, framed<br \/>\n130.5 x 191.2 x 3.2 cm.<\/h4>\n<p>&nbsp;<\/p>\n<p><strong>Gillian WEARING (Birmingham, UK, 1963)<\/strong><\/p>\n<p>The British artist Gillian Wearing, winner of the Turner Prize in 1997, is well aware that the human emotions are universal and the reasons that trigger them and their interpretation depend on individual, cultural and social differences. Art for Wearing is a way to make social relations visible and to delve into the roles we play every day, the different masks we use, the identity we perceive and the one we project.<\/p>\n<p>The work <em>Rock \u2019n\u2019 Roll 70<\/em> (2015) is situated within this line of reflection on the construction of personal identity and its perception \u2013 in this case that of the artist herself \u2013 and about the changes and transformations in the appearance of the human being produced by the passing of time, but also because of vital circumstances. She describes it as this: \u201cI present the work as in a triptych with a single frame: in the first photograph I am fifty years old, in the next one, the image has aged [digitally] to seventy and the last one is blank with the words \u201cme at 70 \u2013 2034\u201d. This space is left blank to be completed by the imagination, and in 2034 (fate permitting) it will be occupied by my real self with seventy years old.<\/p>\n<p>Wearing\u2019s artistic production leaves a deep personal and social trace; she gives a powerful discourse because it tackles such present \u2013 and still taboo \u2013 topics as violence, isolation and trauma from point of view of everyday life, and therefore, she has an enormous capacity to connect with the audience. These days, when millions of people around the world maintain the isolation dictated by the authorities \u2013 each with their more or less fortunate circumstances \u2013 they can be a good opportunity to get closer to the work of Gillian Wearing and discover with her how much it can connect us and how much less it separates us.<\/p>\n<h4>Marta Arroyo Planelles<br \/>\nCurrator<\/h4>\n","protected":false},"excerpt":{"rendered":"<p>Rock\u00b4n\u00b4Roll 70, 2015 Edition 2\/6 (+ 2 AP) Chromogenic process (C-type prints) on paper, framed 130.5 x 191.2 x 3.2 cm. &nbsp; Gillian WEARING (Birmingham, UK, 1963) The British artist Gillian Wearing, winner of the Turner Prize in 1997, is well aware that the human emotions are universal and the reasons that trigger them and [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":314,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-45469","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>GILLIAN WEARING - IVAM<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ivam.es\/en\/gillian-wearing\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"GILLIAN WEARING - IVAM\" \/>\n<meta property=\"og:description\" content=\"Rock\u00b4n\u00b4Roll 70, 2015 Edition 2\/6 (+ 2 AP) Chromogenic process (C-type prints) on paper, framed 130.5 x 191.2 x 3.2 cm. &nbsp; 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Gillian WEARING (Birmingham, UK, 1963) The British artist Gillian Wearing, winner of the Turner Prize in 1997, is well aware that the human emotions are universal and the reasons that trigger them and [&hellip;]","og_url":"https:\/\/ivam.es\/en\/gillian-wearing\/","og_site_name":"IVAM","article_modified_time":"2020-04-29T06:30:14+00:00","twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/ivam.es\/en\/gillian-wearing\/","url":"https:\/\/ivam.es\/en\/gillian-wearing\/","name":"GILLIAN WEARING - IVAM","isPartOf":{"@id":"https:\/\/ivam.es\/en\/#website"},"datePublished":"2020-04-29T06:29:05+00:00","dateModified":"2020-04-29T06:30:14+00:00","breadcrumb":{"@id":"https:\/\/ivam.es\/en\/gillian-wearing\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/ivam.es\/en\/gillian-wearing\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/ivam.es\/en\/gillian-wearing\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/ivam.es\/en\/"},{"@type":"ListItem","position":2,"name":"GILLIAN WEARING"}]},{"@type":"WebSite","@id":"https:\/\/ivam.es\/en\/#website","url":"https:\/\/ivam.es\/en\/","name":"IVAM","description":"Institut Valenci\u00e0 d&#039;Art Modern","publisher":{"@id":"https:\/\/ivam.es\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/ivam.es\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/ivam.es\/en\/#organization","name":"IVAM","url":"https:\/\/ivam.es\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/ivam.es\/en\/#\/schema\/logo\/image\/","url":"https:\/\/ivam.es\/wp-content\/uploads\/logo-ok-512.png","contentUrl":"https:\/\/ivam.es\/wp-content\/uploads\/logo-ok-512.png","width":512,"height":512,"caption":"IVAM"},"image":{"@id":"https:\/\/ivam.es\/en\/#\/schema\/logo\/image\/"}}]}},"_links":{"self":[{"href":"https:\/\/ivam.es\/en\/wp-json\/wp\/v2\/pages\/45469","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ivam.es\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ivam.es\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ivam.es\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ivam.es\/en\/wp-json\/wp\/v2\/comments?post=45469"}],"version-history":[{"count":2,"href":"https:\/\/ivam.es\/en\/wp-json\/wp\/v2\/pages\/45469\/revisions"}],"predecessor-version":[{"id":45471,"href":"https:\/\/ivam.es\/en\/wp-json\/wp\/v2\/pages\/45469\/revisions\/45471"}],"wp:attachment":[{"href":"https:\/\/ivam.es\/en\/wp-json\/wp\/v2\/media?parent=45469"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}