{"id":45465,"date":"2020-04-29T08:24:50","date_gmt":"2020-04-29T06:24:50","guid":{"rendered":"\/?page_id=45465"},"modified":"2020-04-29T08:24:50","modified_gmt":"2020-04-29T06:24:50","slug":"cindy-sherman","status":"publish","type":"page","link":"https:\/\/ivam.es\/en\/cindy-sherman\/","title":{"rendered":"CINDY SHERMAN"},"content":{"rendered":"

\"Cindy<\/a><\/p>\n

Untitled, Film Still n. 15, 1978
\nGelatine silver print over paper, copy of the time, edition 1\/10
\n25,4 x 20,3 cm<\/h4>\n

 <\/p>\n

Cindy SHERMAN (Glen Ridge, USA, 1954)<\/strong><\/p>\n

Cindy Sherman employs a camera to photograph herself representing a great deal of clich\u00e9s. From a feminine perspective, she uses her own body to recreate endless characters that are typical of a misogynist society: prostitutes, drug addicts, ballerinas, housewives, repudiated women\u2026<\/p>\n

One of her most relevant series is Untitled, Film Still<\/em>, to which this work belongs. Consisting of eighty-four photographs in black and white, the series depicts scenes from a fictitious film that both visually and narratively take us back to the American film noir<\/em> of the 40\u2019s and 50\u2019s, to those double features of B films, to Alfred Hitchcock\u2019s suspense films, or to the French Nouvelle Vague<\/em> films and the Italian neorrealist ones. In each photograph Sherman herself portrays a scene where she dresses up with the clothes and make up of a character and uses her body just as if it were one more prop of that cinematographic stage on which the only place for women was that of stereotypes.<\/p>\n

Maita Ca\u00f1am\u00e1s
\nCurrator<\/h4>\n","protected":false},"excerpt":{"rendered":"

Untitled, Film Still n. 15, 1978 Gelatine silver print over paper, copy of the time, edition 1\/10 25,4 x 20,3 cm   Cindy SHERMAN (Glen Ridge, USA, 1954) Cindy Sherman employs a camera to photograph herself representing a great deal of clich\u00e9s. From a feminine perspective, she uses her own body to recreate endless characters […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":316,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-45465","page","type-page","status-publish","hentry"],"yoast_head":"\nCINDY SHERMAN - IVAM<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ivam.es\/en\/cindy-sherman\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"CINDY SHERMAN - IVAM\" \/>\n<meta property=\"og:description\" content=\"Untitled, Film Still n. 15, 1978 Gelatine silver print over paper, copy of the time, edition 1\/10 25,4 x 20,3 cm   Cindy SHERMAN (Glen Ridge, USA, 1954) Cindy Sherman employs a camera to photograph herself representing a great deal of clich\u00e9s. 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