{"id":44985,"date":"2020-04-16T14:25:45","date_gmt":"2020-04-16T12:25:45","guid":{"rendered":"\/?page_id=44985"},"modified":"2020-04-17T13:07:09","modified_gmt":"2020-04-17T11:07:09","slug":"ianko-lopez","status":"publish","type":"page","link":"https:\/\/ivam.es\/en\/ianko-lopez\/","title":{"rendered":"Ianko L\u00f3pez"},"content":{"rendered":"<h6><a href=\"\/wp-content\/uploads\/page\/ianco-lopez\/ORIENTALISMOS-2-obras-de-Mariano-Fortuny-dialogan-con-6-piezas-serie-Tauromaquia-de-Goya-y-1-de-Emilio-Sala-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-44977 size-full\" src=\"\/wp-content\/uploads\/page\/ianco-lopez\/ORIENTALISMOS-2-obras-de-Mariano-Fortuny-dialogan-con-6-piezas-serie-Tauromaquia-de-Goya-y-1-de-Emilio-Sala-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1752\" srcset=\"https:\/\/ivam.es\/wp-content\/uploads\/page\/ianco-lopez\/ORIENTALISMOS-2-obras-de-Mariano-Fortuny-dialogan-con-6-piezas-serie-Tauromaquia-de-Goya-y-1-de-Emilio-Sala-scaled.jpg 2560w, https:\/\/ivam.es\/wp-content\/uploads\/page\/ianco-lopez\/ORIENTALISMOS-2-obras-de-Mariano-Fortuny-dialogan-con-6-piezas-serie-Tauromaquia-de-Goya-y-1-de-Emilio-Sala-300x205.jpg 300w, https:\/\/ivam.es\/wp-content\/uploads\/page\/ianco-lopez\/ORIENTALISMOS-2-obras-de-Mariano-Fortuny-dialogan-con-6-piezas-serie-Tauromaquia-de-Goya-y-1-de-Emilio-Sala-1024x701.jpg 1024w, https:\/\/ivam.es\/wp-content\/uploads\/page\/ianco-lopez\/ORIENTALISMOS-2-obras-de-Mariano-Fortuny-dialogan-con-6-piezas-serie-Tauromaquia-de-Goya-y-1-de-Emilio-Sala-768x526.jpg 768w, https:\/\/ivam.es\/wp-content\/uploads\/page\/ianco-lopez\/ORIENTALISMOS-2-obras-de-Mariano-Fortuny-dialogan-con-6-piezas-serie-Tauromaquia-de-Goya-y-1-de-Emilio-Sala-1536x1051.jpg 1536w, https:\/\/ivam.es\/wp-content\/uploads\/page\/ianco-lopez\/ORIENTALISMOS-2-obras-de-Mariano-Fortuny-dialogan-con-6-piezas-serie-Tauromaquia-de-Goya-y-1-de-Emilio-Sala-2048x1402.jpg 2048w, https:\/\/ivam.es\/wp-content\/uploads\/page\/ianco-lopez\/ORIENTALISMOS-2-obras-de-Mariano-Fortuny-dialogan-con-6-piezas-serie-Tauromaquia-de-Goya-y-1-de-Emilio-Sala-280x192.jpg 280w, https:\/\/ivam.es\/wp-content\/uploads\/page\/ianco-lopez\/ORIENTALISMOS-2-obras-de-Mariano-Fortuny-dialogan-con-6-piezas-serie-Tauromaquia-de-Goya-y-1-de-Emilio-Sala-467x320.jpg 467w, https:\/\/ivam.es\/wp-content\/uploads\/page\/ianco-lopez\/ORIENTALISMOS-2-obras-de-Mariano-Fortuny-dialogan-con-6-piezas-serie-Tauromaquia-de-Goya-y-1-de-Emilio-Sala-231x158.jpg 231w, https:\/\/ivam.es\/wp-content\/uploads\/page\/ianco-lopez\/ORIENTALISMOS-2-obras-de-Mariano-Fortuny-dialogan-con-6-piezas-serie-Tauromaquia-de-Goya-y-1-de-Emilio-Sala-500x342.jpg 500w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/a><br \/>\nFoto de\u00a0 Eduardo Sourrouille.<\/h6>\n<p>&nbsp;<\/p>\n<h4>Orientalisms. The construction of the imaginary of the Middle East and North Africa (1800-1956)<br \/>\nGallery 1. IVAM. 2020<\/h4>\n<p style=\"text-align: justify;\">I think \u201c<a href=\"\/en\/exposiciones\/orientalism\/\">Orientalisms<\/a>\u201d is one of the smartest and most ambitious exhibits that IVAM has hosted. It is one of the smartest because, with great wit, it accounts for a completely global issue such as the mechanisms through which the portrait of the Other is built in order to refer it to the public imagination; and it is one of the most ambitious because it does so without forgetting its grounding in the Mediterranean defining the context and, to a large extent, the raison d&#8217;\u00eatre of the museum itself. Third \u2013 and no less important \u2013 this is an exhibition that, when discussing how we figure out that Other, it speaks in reality of ourselves, of each one of us, and not necessarily for good. This is also what makes it so relevant.<\/p>\n<p><strong>Ianko L\u00f3pez<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Foto de\u00a0 Eduardo Sourrouille. &nbsp; Orientalisms. The construction of the imaginary of the Middle East and North Africa (1800-1956) Gallery 1. IVAM. 2020 I think \u201cOrientalisms\u201d is one of the smartest and most ambitious exhibits that IVAM has hosted. It is one of the smartest because, with great wit, it accounts for a completely global [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":388,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-44985","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Ianko L\u00f3pez - IVAM<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ivam.es\/en\/ianko-lopez\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ianko L\u00f3pez - IVAM\" \/>\n<meta property=\"og:description\" content=\"Foto de\u00a0 Eduardo Sourrouille. &nbsp; Orientalisms. The construction of the imaginary of the Middle East and North Africa (1800-1956) Gallery 1. IVAM. 2020 I think \u201cOrientalisms\u201d is one of the smartest and most ambitious exhibits that IVAM has hosted. 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The construction of the imaginary of the Middle East and North Africa (1800-1956) Gallery 1. IVAM. 2020 I think \u201cOrientalisms\u201d is one of the smartest and most ambitious exhibits that IVAM has hosted. 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