{"id":44595,"date":"2020-04-07T10:13:05","date_gmt":"2020-04-07T08:13:05","guid":{"rendered":"\/?page_id=44595"},"modified":"2020-04-07T10:13:05","modified_gmt":"2020-04-07T08:13:05","slug":"richard-hamilton","status":"publish","type":"page","link":"https:\/\/ivam.es\/en\/richard-hamilton\/","title":{"rendered":"RICHARD HAMILTON"},"content":{"rendered":"<p><a href=\"\/wp-content\/uploads\/page\/richard-hamilton\/RICHARD-HAMILTON.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-44482\" style=\"width: 100%; height: auto;\" src=\"\/wp-content\/uploads\/page\/richard-hamilton\/RICHARD-HAMILTON-300x230.jpg\" alt=\"\" width=\"300\" height=\"230\" srcset=\"https:\/\/ivam.es\/wp-content\/uploads\/page\/richard-hamilton\/RICHARD-HAMILTON-300x230.jpg 300w, https:\/\/ivam.es\/wp-content\/uploads\/page\/richard-hamilton\/RICHARD-HAMILTON-768x589.jpg 768w, https:\/\/ivam.es\/wp-content\/uploads\/page\/richard-hamilton\/RICHARD-HAMILTON-280x215.jpg 280w, https:\/\/ivam.es\/wp-content\/uploads\/page\/richard-hamilton\/RICHARD-HAMILTON-467x358.jpg 467w, https:\/\/ivam.es\/wp-content\/uploads\/page\/richard-hamilton\/RICHARD-HAMILTON-231x177.jpg 231w, https:\/\/ivam.es\/wp-content\/uploads\/page\/richard-hamilton\/RICHARD-HAMILTON-500x384.jpg 500w, https:\/\/ivam.es\/wp-content\/uploads\/page\/richard-hamilton\/RICHARD-HAMILTON.jpg 860w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<h4 style=\"text-align: justify;\">The Critic Laughs, 1971-1972<br \/>\nElectric toothbrush, denture, case and fold-out instruction manual<br \/>\nMeasurements of the closed case: 27 \u00d7 11 \u00d7 6.5 cm<\/h4>\n<p style=\"text-align: justify;\"><strong>Richard HAMILTON (London, 1922-2011)<\/strong><\/p>\n<p style=\"text-align: justify;\">Richard Hamilton\u2019s insistence on investigating the field of design, technology, and consumerism with the same passion and the same intellectual rigour he used to study art history was inexplicable to art critics in the UK in the fifties. These considered that this field was corrupted by its relationship with trade and industry, according to Alice Rawsthorn in the catalogue, Richard Hamilton, which accompanied the memorable exhibition held in 2014 at Tate Modern and at the Reina Sof\u00eda Museum. IVAM\u2019s collection houses four more works from the same series, which illustrate Hamilton\u2019s effort to erase the boundaries between high and low culture.<\/p>\n<p style=\"text-align: justify;\"><strong>Teresa Millet<\/strong><br \/>\n<strong>Curator<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Critic Laughs, 1971-1972 Electric toothbrush, denture, case and fold-out instruction manual Measurements of the closed case: 27 \u00d7 11 \u00d7 6.5 cm Richard HAMILTON (London, 1922-2011) Richard Hamilton\u2019s insistence on investigating the field of design, technology, and consumerism with the same passion and the same intellectual rigour he used to study art history was [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":20,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-44595","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.0 - 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