1.0IVAMhttps://ivam.es/en/rich600338<blockquote class="wp-embedded-content" data-secret="vd3OodFrVg"><a href="https://ivam.es/en/valentina-kulagina/">VALENTINA KULAGINA</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://ivam.es/en/valentina-kulagina/embed/#?secret=vd3OodFrVg" width="600" height="338" title="“VALENTINA KULAGINA” — IVAM" data-secret="vd3OodFrVg" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://ivam.es/wp-includes/js/wp-embed.min.js </script> Female Shock-workers Strengthen the Shock Brigades, 1931 Photogravure 98 x 71 cm   Valentina Kulagina (Moscow, 1902-1987) In the two decades following the historical events of the Soviet Revolution, between the formal experimentation of the first abstraction and the controlled artistic production of socialist realism, photography and photomontage were essential to the development of avant-garde […]