1.0IVAMhttps://ivam.es/en/rich600338<blockquote class="wp-embedded-content" data-secret="9RWDe57kYv"><a href="https://ivam.es/en/exposiciones/simone-fattal-premio-julio-gonzalez/">Simone Fattal. Suspension of Disbelief</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://ivam.es/en/exposiciones/simone-fattal-premio-julio-gonzalez/embed/#?secret=9RWDe57kYv" width="600" height="338" title="“Simone Fattal. Suspension of Disbelief” — IVAM" data-secret="9RWDe57kYv" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://ivam.es/wp-includes/js/wp-embed.min.js </script> The multidisciplinary practice of Simone Fattal (Damascus, 1942) conceptualizes time as an elastic entity that transcends the distinctions between past, present, and future. Her work draws from mythology, spanning from ancient Egypt to Sunni mysticism and Greco-Roman tradition, creating archetypal figures that integrate historical narratives into the present. Fattal’s work, predominantly sculptural, unfolds in a […]