1.0IVAMhttps://ivam.es/en/rich600338<blockquote class="wp-embedded-content" data-secret="Uh3rTXzRaa"><a href="https://ivam.es/en/exposiciones/gianluigi-colin/">Gianluigi Colin</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://ivam.es/en/exposiciones/gianluigi-colin/embed/#?secret=Uh3rTXzRaa" width="600" height="338" title="“Gianluigi Colin” — IVAM" data-secret="Uh3rTXzRaa" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://ivam.es/wp-includes/js/wp-embed.min.js </script> In his Mitografie (Mythographies), he sets out from a question: what have Mercury, Mars, Saturn and Venus become for us? His undertaking does not consist in leading us along the path of nostalgia. He sets out to trace distant survivals. He examines the many frequently distracted flourishings of classicism disseminated in the crevices of the […]