1.0IVAMhttps://ivam.es/en/rich600338<blockquote class="wp-embedded-content" data-secret="NzL06NVx4z"><a href="https://ivam.es/en/angela-garcia-codoner/">Ángela García Codoñer</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://ivam.es/en/angela-garcia-codoner/embed/#?secret=NzL06NVx4z" width="600" height="338" title="“Ángela García Codoñer” — IVAM" data-secret="NzL06NVx4z" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://ivam.es/wp-includes/js/wp-embed.min.js </script> Serie Misses. Beauty contests. Composition, 1974 The series Misses is framed within a group of works under the heading of the feminist art genre, which began to stand out in Spain in the 1970s and involved vindictive works made by women who refused to accept the role that such society had imposed upon them. This […]