1.0IVAMhttps://ivam.es/en/rich600338<blockquote class="wp-embedded-content" data-secret="UPRhuJv7mL"><a href="https://ivam.es/en/actividades/59059/">Talk by Natalya Serkova about “An exercise in violence”+ Presentation of the exhibition publication</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://ivam.es/en/actividades/59059/embed/#?secret=UPRhuJv7mL" width="600" height="338" title="“Talk by Natalya Serkova about “An exercise in violence”+ Presentation of the exhibition publication” — IVAM" data-secret="UPRhuJv7mL" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://ivam.es/wp-includes/js/wp-embed.min.js </script> The project by Guillermo Ros An exercise in violence links several narrative and conceptual lines: the issue of the artist’s institutional integration, the issue of violence, present in the project as an indicator of the possibility of movement and change, and the allusions to certain historic events that appear vaguely but persistently in the design […]