46 The beds painted as maps by Guillermo Kuitca, Sin título (cinco camitas) (Untitled Five Small Beds), occupy the central space and generate a kind of vortex around which other works revolve, basically taking up the two side walls. A group of works from various periods and with a variety of nuances that emphasise the fluid composition of identity and the inevitable sense of loss and otherness. In this sense we can reinterpret works by Richard Hamilton (13.7.80.a, 1990), Alberto Greco (Albertus Grecus XXIII. Ciudad del Vaticano, Roma, diciembre 1962 Albertus Grecus XXIII. Vatican City, Rome, December 1962, 1962), Arnulf Rainer (Kopfputz Headdress, c. 1970–74) and Pierre Molinier (L’oeuvre, le peintre et son fétiche The Work, the Painter and His Fetish, n.d.). There are also Cindy Sherman’s Film Stills, veritable photographic bastions of the self-portrait understood as heteronomy. Time that flows and that is touched and travelled along as if in a ramble is reflected in the two works by Hamish Fulton and the video installation by Antoni Miralda and Benet Rossell, París. La cumparsita (Paris. The Little Parade, 1972–2005). GUILLERMO KUITCA Sin título (Cinco camitas), 1992
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